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Rosalia - the Evil Black Witch of the Harz, Part Four

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Rosalia – The Evil Black Witch of the Harz

By Gary Bateman

PREFACE

Author’s Notes on “Rosalia – The Evil Black Witch of the Harz”

Introduction and Overview:  This epic narrative poem on “Rosalia” is pure fiction—but it is a creative reality though in the deep poetic recesses of my mind, however; I should note to you that there is indeed a tradition of Witchcraft and Sorcery in the region of the Harz Mountains here in Germany which definitely dates back to medieval times.  People who live there have some fun with Halloween and Walpurgis Nacht parties each year in Bad Harzburg and other towns within the Harz.  Though the witch thing is a friendlier proposition in today’s “modern world,” it was certainly not this way centuries ago when those accused of Witchcraft and Sorcery met a rather gruesome fate when they were convicted of doing evil things and consorting with “The Devil.” Moreover, throughout the text I have sprinkled a few witchcraft-oriented terms in the German so the reader can get feel for the Germanic setting for the poem.  The “Cliff Notes” I’ve cited below will ensure that these few German terms are precisely explained and defined in their English equivalent meanings.  Any other terms in Latin, for example, will be defined and explained as well.  The time and location setting for this epic narrative poem is the early 16th Century in the Harz Mountains in Lower Saxony and Saxony-Anhalt, with the principal events occurring in and around the vicinity of the Brocken Summit which is the highest summit in the Harz mountain range and in Northern Germany.    

Academic Source Attribution:  The source attribution on the subject of the Black Arts for “Rosalia” came from:  Richard Cavendish, The Black Arts, (New York:  The Putnam Publishing Group, 1967), passim throughout book.  Mr. Cavendish's scholarly book on this subject was quite helpful while I was doing my research on this epic narrative poem.  I wanted to make sure that the information I was presenting was at least in line with the common terminology used and associated with this rather arcane subject area.  I also conducted on-line internet research on a number of related topics within the Witchcraft genre to get a more in-depth feel for this fascinating topic. 

Dramatis Personae:

Rosalia—The Evil Black Witch of the Harz

Aurelia—The Princess of the Light and The Precious Child of God

Monseigneur Wolfgang Augustus Hardenberg (Regional Catholic Church Monseigneur in the Harz at Cloister Marten)

Rosalia’s Hell-Spawned Minions

Monseigneur Hardenberg’s Priests from Cloister Marten

Jehovah —The Almighty Lord God

Jesus Christ—Son of God

Archangel Gabriel and His Force of Heavenly Angels

Lucifer—The Dark Angel and Ruler of the Underworld

Author’s Cliff Notes – Answer Key for Challenging Words and Foreign Phrases in the Text:

Title of Poem: “Rosalia—die boese Hexe aus dem Harz”   (Note: This is the actual title of this epic poem, and in English, it means: “Rosalia—The Evil Black Witch of the Harz.”)

Prologue:  “Brocken summit in the Harz.”  Brocken is the highest summit in the Harz Mountains.  It is part of the ongoing Witchcraft tradition today in the Harz.

Rosalia’s Entrée to the 16th Century:  Entrée in the Section II title here means “Entrance.”

Vocabulary Terms:  (in order of text presentation throughout the poem)

Scaurous:  An adjective that refers to “with large ankles.”

Schnauzkrampf-like mouth:  “Schnauzkrampf” is a noun that refers to “a mouth that looks more like a snout.”

Die Hexerei:  German noun for “Witchcraft.”

Nefandous:  Adjective for “unmentionable” or “unspeakable.”

Black Mass Satanist Prayer:  The lead-in for this unholy prayer starts with the words, “Our Father, which wert in heaven . . . ,” meaning, of course, “Our Father, which was in heaven . . . ,” with wert being the Old English form of was.

Nefast:  Adjective for “wicked.”

Malleus Maleficarum (1486):  This term from the Latin means, “Hammer of Witches.”  This medieval document was written by two Catholic inquisitors in 1486, and then they codified it and passed it down within the Church hierarchy.  This particular document reflected the Church’s “then” present knowledge of witchcraft and sorcery.

Cloister Marten:  The regional catholic monastery located in the Harz.

mirabile visu:  a Latin term or expression for “Wonderful to behold.”

Burg Worlerede:  A fortress castle very near to Cloister Marten in the Harz.

Gary Bateman, Copyright © All Rights Reserved, Schoeningen, Germany (September 20, 2014)

 

Rosalia - The Evil Witch of the Harz, Part Four Rosalia’s Date with Destiny and the Power of Light and Goodness It is said that the Almighty Lord God works in very mysterious ways . . . meaning that even an all-powerful witch like Rosalia had her Achilles’ heel, and could lose her sheen of invincibility in certain instances which date back to the earliest clashes between Good and Evil at the outset of mankind. With her perfect cover working in a local village Inn near the Brocken, Rosalia could plan, plot and scheme her witchcraft activities at will when meeting unsuspecting villagers and outside visitors alike— giving her near-unlimited control in shaping the very course of events. Fate would have it, however, that one event would challenge and alter Rosalia’s perfect cover forever . . . One day a young girl—named Aurelia, who was barely 15 years old, visited local village relatives while traveling near the Brocken. Aurelia, who was quite intelligent and mature for her age was also a close relative of the regional church Monseigneur, Wolfgang Augustus Hardenberg, and she was part of a traditional German catholic family. Aurelia was a rare child indeed, endowed with “Heavenly Eyes” from her eternal soul at birth which gave her a unique, unusual gift of sensing and seeing the true nature of the men, women, and children as they came into contact with her . . . without them realizing it. Aurelia, with this fantastic gift, was truly one of God’s children, and the antithesis of Rosalia and the incarnate evil she represented. Aurelia’s family was fully aware of God’s favor on their daughter and all of the goodness and light she shared with them in the family. Aurelia was also quick study; she was endowed with an unusual ability to absorb, understand and remember vast amounts of information and detail. And while attending religious schools, she demonstrated an exceptional proclivity early on for learning and mastering classical foreign languages. Aurelia too was a centuries’ old soul like Rosalia, but whereas Rosalia embraced the Dark Side, and was the very manifestation of evil and debauchery; Aurelia embraced the Light and Goodness of the Almighty, and was one of God’s angelic souls destined to do his bidding in the continuous titanic struggle against Lucifer and his Dark World minions; she was truly a “Princess of the Light” and a “Precious Child of God.” With this in mind . . . On visiting the local village Inn with relatives one afternoon for lunch, Aurelia immediately felt the presence of a specter of evil and foreboding. And this specter was, of course, none other than . . . Rosalia. Beyond her perceptible sensing and feeling of pure evil, Aurelia was able to make momentary visual contact with Rosalia, and with her God-given heavenly vision glanced the true image of Rosalia, which filled her at once with undeniable dread, fright and revulsion at the terrible visage cast by Rosalia among her unsuspecting relatives. Aurelia was in luck since Rosalia felt no reason to suspect her, thus paying no attention to the young girl with her relatives. Aurelia’s God-given power shielded her from Rosalia’s attention, at least for now . . . From the encounter at the village Inn, Aurelia knew that some of her relatives were already marked by the witch. After the visit to the Inn, Aurelia immediately informed her unsuspecting parents of the evil incarnate she sensed and discovered at the Inn. Time was fleeting and quick action would be required to corroborate this event. It was already Monday, and on the upcoming Saturday, which was All Hallows’ Eve on October 31st, Rosalia’s Coven was set to conduct The Black Witches’ Sabbath in celebration of the Devil himself. This evil Sabbath event was done twice a year with the one preceding All Hallows’ Eve occurring on April 30th on the Great Sabbath of Walpurgis Nacht. The preparation of the Black Witches’ Sabbath would include black rituals and both human and animal sacrifices with the invocation of the Vespers’ Prayer Preparation for Black Mass, followed by a 24-hour period of preparation by the Coven for its next attack on the local villagers. Riding horseback to the Cloister Marten in the Harz some 20 kilometers away, Aurelia’s father traveled there with two close trusted friends to inform Monseigneur Hardenberg of Aurelia’s unexpected discovery of the infamous and evil Black Witch of the Harz known as Rosalia. On hearing of the discovery of Rosalia and her masquerade in human form, the Monseigneur instinctively knew that immediate action was required, and that the very lives of the villagers and their eternal souls were in the greatest of peril. An immediate meeting with his council of priests at Cloister Marten was in order; there was now a chance that Rosalia and her Coven could be finally destroyed forever. This chance event had been a long time coming and the Monseigneur knew that they must not fail. The Monseigneur also knew that God’s avengers must act smartly . . . Rosalia was a virulent evil force not to be taken lightly nor underestimated. Many priests and their parishioners had already succumbed to the Devil and his Dark World of eternal damnation, courtesy of Rosalia. The Monseigneur would need Aurelia’s help in finding Rosalia’s Coven, and he realized that he and his priests must prepare for the greatest test of their faith, as they contemplated their plan to destroy Rosalia and her spawn of evil. The Monseigneur understood all too well that to face down Rosalia was almost the same as facing the very Devil himself. The Monseigneur and his priests must be swift in their vengeance against Rosalia in the name of the Lord, and that a second chance may not be in the offing. End of Part Four Gary Bateman, Copyright © All Rights Reserved, Schoeningen, Germany (September 20, 2014)

Copyright © | Year Posted 2014




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Date: 8/27/2015 9:44:00 PM
I am loving this story introducing the fascinating Aurelia... looking forward to reading the rest! Will be checking out your book on Amazon. I'm a bit short on money, but I'm hoping someday to buy a copy from you, brilliant poet! Always, Laura
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Gary Bateman
Date: 8/29/2015 1:08:00 PM
Hello Laura, I'm actually taking a sabbatical presently from "PS" so I can work on my short stories, but should be back posting poetry within the next 2-3 weeks. Aurelia was introduced as a main character and is the antithesis of Rosalia. (The "Good versus Bad" theme.) You will find out more about her as you read further in the poem. (Send me a "Soup Mail" with your mailing address in the USA, and I will mail you a Paperback copy of my first book, unless you decide to purchase it from Amazon.com.) Get Ready for Halloween. I have some dark poetry planned for October!! Cheers and Best, Gary
Date: 2/2/2015 7:44:00 AM
Now we have Light entering the story. Light that brings justice! Plot deepens and brings the reader in farther-to this dark web! Great narrative my friend. Bravoooooo!!! A7
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Gary Bateman
Date: 2/2/2015 5:16:00 PM
Where there is Darkness . . . there must also be Light. (You didn't think I would let Lucifer and Rosalia win??) Glad you like the narrative Robert!! Best Always, Gary

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