10 Best Famous Scaffold Poems

Here is a collection of the top 10 all-time best famous Scaffold poems. This is a select list of the best famous Scaffold poetry. Reading, writing, and enjoying famous Scaffold poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of scaffold poems.

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Written by Algernon Charles Swinburne | Create an image from this poem

A Watch In The Night

 Watchman, what of the night? - 
Storm and thunder and rain, 
Lights that waver and wane,
Leaving the watchfires unlit. 
Only the balefires are bright, 
And the flash of the lamps now and then 
From a palace where spoilers sit, 
Trampling the children of men.

Prophet, what of the night? - 
I stand by the verge of the sea, 
Banished, uncomforted, free, 
Hearing the noise of the waves 
And sudden flashes that smite 
Some man's tyrannous head, 
Thundering, heard among graves 
That hide the hosts of his dead.

Mourners, what of the night? - 
All night through without sleep 
We weep, and we weep, and we weep. 
Who shall give us our sons ? 
Beaks of raven and kite,
Mouths of wolf and of hound, 
Give us them back whom the guns 
Shot for you dead on the ground.

Dead men, what of the night? - 
Cannon and scaffold and sword,
Horror of gibbet and cord, 
Mowed us as sheaves for the grave, 
Mowed us down for the right. 
We do not grudge or repent. 
Freely to freedom we gave
Pledges, till life should be spent.

Statesman, what of the night? - 
The night will last me my time. 
The gold on a crown or a crime
Looks well enough yet by the lamps. 
Have we not fingers to write, 
Lips to swear at a need? 
Then, when danger decamps, 
Bury the word with the deed.

Warrior, what of the night? - 
Whether it be not or be 
Night, is as one thing to me.
I for one, at the least, 
Ask not of dews if they blight, 
Ask not of flames if they slay,
Ask not of prince or of priest
How long ere we put them away.

Master, what of the night? - 
Child, night is not at all 
Anywhere, fallen or to fall, 
Save in our star-stricken eyes.
Forth of our eyes it takes flight,
Look we but once nor before 
Nor behind us, but straight on the skies; 
Night is not then any more.

Exile, what of the night? - 
The tides and the hours run out, 
The seasons of death and of doubt, 
The night-watches bitter and sore.
In the quicksands leftward and right 
My feet sink down under me; 
But I know the scents of the shore 
And the broad blown breaths of the sea.

Captives, what of the night? - 
It rains outside overhead 
Always, a rain that is red, 
And our faces are soiled with the rain. 
Here in the seasons' despite
Day-time and night-time are one,
Till the curse of the kings and the chain 
Break, and their toils be undone.

Christian, what of the night? - 
I cannot tell; I am blind. 
I halt and hearken behind 
If haply the hours will go back 
And return to the dear dead light, 
To the watchfires and stars that of old
Shone where the sky now is black,
Glowed where the earth now is cold.

High priest, what of the night? - 
The night is horrible here 
With haggard faces and fear, 
Blood, and the burning of fire. 
Mine eyes are emptied of sight, 
Mine hands are full of the dust, 
If the God of my faith be a liar, 
Who is it that I shall trust?

Princes, what of the night? - 
Night with pestilent breath 
Feeds us, children of death, 
Clothes us close with her gloom. 
Rapine and famine and fright
Crouch at our feet and are fed. 
Earth where we pass is a tomb, 
Life where we triumph is dead.

Martyrs, what of the night? - 
Nay, is it night with you yet? 
We, for our part, we forget 
What night was, if it were. 
The loud red mouths of the fight 
Are silent and shut where we are. 
In our eyes the tempestuous air 
Shines as the face of a star.

England, what of the night? - 
Night is for slumber and sleep, 
Warm, no season to weep. 
Let me alone till the day. 
Sleep would I still if I might, 
Who have slept for two hundred years. 
Once I had honour, they say; 
But slumber is sweeter than tears.

France, what of the night? - 
Night is the prostitute's noon, 
Kissed and drugged till she swoon, 
Spat upon, trod upon, whored. 
With bloodred rose-garlands dight, 
Round me reels in the dance 
Death, my saviour, my lord,
Crowned; there is no more France.

Italy, what of the night? - 
Ah, child, child, it is long! 
Moonbeam and starbeam and song 
Leave it dumb now and dark. 
Yet I perceive on the height 
Eastward, not now very far, 
A song too loud for the lark, 
A light too strong for a star.

Germany, what of the night ? - 
Long has it lulled me with dreams;
Now at midwatch, as it seems, 
Light is brought back to mine eyes, 
And the mastery of old and the might 
Lives in the joints of mine hands, 
Steadies my limbs as they rise, 
Strengthens my foot as it stands.

Europe, what of the night ? - 
Ask of heaven, and the sea, 
And my babes on the bosom of me, 
Nations of mine, but ungrown. 
There is one who shall surely requite 
All that endure or that err: 
She can answer alone: 
Ask not of me, but of her.

Liberty, what of the night ? - 
I feel not the red rains fall, 
Hear not the tempest at all, 
Nor thunder in heaven any more. 
All the distance is white 
With the soundless feet of the sun. 
Night, with the woes that it wore, 
Night is over and done.

Written by Rudyard Kipling | Create an image from this poem

The Old Issue

 Here is nothing new nor aught unproven," say the Trumpets,
 "Many feet have worn it and the road is old indeed.
"It is the King--the King we schooled aforetime! "
 (Trumpets in the marshes-in the eyot at Runnymede!)

"Here is neither haste, nor hate, nor anger," peal the Trumpets,
 "Pardon for his penitence or pity for his fall.
"It is the King!"--inexorable Trumpets--
 (Trumpets round the scaffold af the dawning by Whitehall!)

 . . . . . . .


"He hath veiled the Crown And hid the Scepter," warn (he Trum pets,
 "He hath changed the fashion of the lies that cloak his will.
"Hard die the Kings--ah hard--dooms hard!" declare the Trumpets,
 Trumpets at the gang-plank where the brawling troop-decks fill!

Ancient and Unteachable, abide--abide the Trumpets!
 Once again the Trumpets, for the shuddering ground-swell brings 
Clamour over ocean of the harsh, pursuing Trumpets--
 Trumpets of the Vanguard that have sworn no truce with Kings! 

All we have of freedom, all we use or know--
This our fathers bought for us long and long ago.

Ancient Right unnoticed as the breath we draw--
Leave to live by no man's leave, underneath the Law.

Lance and torch and tumult, steel and grey-goose wing
Wrenched it, inch and ell and all, slowly from the king.

Till our fathers 'stablished,, after bloody years, 
How our King is one with us, first among his peers. 

So they bought us freedom-not at little cost-- 
Wherefore must we watch the King, lest our gain be lost.

Over all things certain, this is sure indeed,
Suffer not the old King: for we know the breed.

Give no ear to bondsmen bidding us endure.
Whining "He is weak and far"; crying "Time will cure."

(Time himself is witness, till the battle joins,
Deeper strikes the rottenness in the people's loins.)

Give no heed to bondsmen masking war with peace.
Suffer not the old King here or overseas.

They that beg us barter--wait his yielding mood--
Pledge the years we hold in trust-pawn our brother's blood--

Howso' great their clamour, whatsoe'er their claim,
Suffer not the old King under any name!

Here is naught unproven--here is naught to learn.
It is written what shall fall if the King return.

He shall mark our goings, question whence we came,
Set his guards about us, as in Freedom's name.

He shall take a tribute, toll of all our ware;
He shall change our gold for arms--arms we may not bear.

He shall break his Judges if they cross his word;
He shall rule above the Law calling on the Lord.

He shall peep and mutter; and the night shall bring
Watchers 'neath our window, lest we mock the King --

Hate and all division; hosts of hurrying spies;
Money poured in secret, carrion breeding flies.

Strangers of his counsel, hirelings of his pay,
These shall deal our Justice: sell-deny-delay.

We shall drink dishonour, we shall eat abuse
For the Land we look to--for the Tongue we use.

We shall take our station, dirt beneath his feet,
While his hired captains jeer us in the street.

Cruel in the shadow, crafty in the sun,
Far beyond his borders shall his teachings run.

Sloven, sullen, savage, secret, uncontrolled,
Laying on a new land evil of the old--

Long-forgotten bondage, dwarfing heart and brain--
All our fathers died to loose he shall bind again.

Here is nought at venture, random nor untrue
Swings the wheel full-circle, brims the cup anew.

Here is naught unproven, here is nothing hid:
Step for step and word for word--so the old Kings did!

Step by step, and word by word: who is ruled may read.
Suffer not the old Kings: for we know the breed--

All the right they promise--all the wrong they bring.
Stewards of the Judgment, suffer not this King !
Written by Robert Lowell | Create an image from this poem

The Quaker Graveyard in Nantucket

 (For Warren Winslow, Dead At Sea)
 Let man have dominion over the fishes of the sea and
 the fowls of the air and the beasts and the whole earth,
 and every creeping creature that moveth upon the earth.

 I
A brackish reach of shoal off Madaket--
The sea was still breaking violently and night
Had steamed into our North Atlantic Fleet,
When the drowned sailor clutched the drag-net. Light
Flashed from his matted head and marble feet,
He grappled at the net
With the coiled, hurdling muscles of his thighs:
The corpse was bloodless, a botch of reds and whites,
Its open, staring eyes
Were lustreless dead-lights
Or cabin-windows on a stranded hulk
Heavy with sand. We weight the body, close
Its eyes and heave it seaward whence it came,
Where the heel-headed dogfish barks it nose
On Ahab's void and forehead; and the name
Is blocked in yellow chalk.
Sailors, who pitch this portent at the sea
Where dreadnaughts shall confess
Its heel-bent deity,
When you are powerless
To sand-bag this Atlantic bulwark, faced
By the earth-shaker, green, unwearied, chaste
In his steel scales: ask for no Orphean lute
To pluck life back. The guns of the steeled fleet
Recoil and then repeat
The hoarse salute.

 II

Whenever winds are moving and their breath
Heaves at the roped-in bulwarks of this pier,
The terns and sea-gulls tremble at your death
In these home waters. Sailor, can you hear
The Pequod's sea wings, beating landward, fall
Headlong and break on our Atlantic wall
Off 'Sconset, where the yawing S-boats splash
The bellbuoy, with ballooning spinnakers,
As the entangled, screeching mainsheet clears
The blocks: off Madaket, where lubbers lash
The heavy surf and throw their long lead squids
For blue-fish? Sea-gulls blink their heavy lids
Seaward. The winds' wings beat upon the stones,
Cousin, and scream for you and the claws rush
At the sea's throat and wring it in the slush
Of this old Quaker graveyard where the bones
Cry out in the long night for the hurt beast
Bobbing by Ahab's whaleboats in the East. 

 III

All you recovered from Poseidon died
With you, my cousin, and the harrowed brine
Is fruitless on the blue beard of the god,
Stretching beyond us to the castles in Spain,
Nantucket's westward haven. To Cape Cod
Guns, cradled on the tide,
Blast the eelgrass about a waterclock
Of bilge and backwash, roil the salt and sand
Lashing earth's scaffold, rock
Our warships in the hand
Of the great God, where time's contrition blues
Whatever it was these Quaker sailors lost
In the mad scramble of their lives. They died
When time was open-eyed,
Wooden and childish; only bones abide
There, in the nowhere, where their boats were tossed
Sky-high, where mariners had fabled news
Of IS, the whited monster. What it cost
Them is their secret. In the sperm-whale's slick
I see the Quakers drown and hear their cry:
"If God himself had not been on our side,
If God himself had not been on our side,
When the Atlantic rose against us, why,
Then it had swallowed us up quick." 

 IV

This is the end of the whaleroad and the whale
Who spewed Nantucket bones on the thrashed swell
And stirred the troubled waters to whirlpools
To send the Pequod packing off to hell:
This is the end of them, three-quarters fools,
Snatching at straws to sail
Seaward and seaward on the turntail whale,
Spouting out blood and water as it rolls,
Sick as a dog to these Atlantic shoals:
Clamavimus, O depths. Let the sea-gulls wail

For water, for the deep where the high tide
Mutters to its hurt self, mutters and ebbs.
Waves wallow in their wash, go out and out,
Leave only the death-rattle of the crabs,
The beach increasing, its enormous snout
Sucking the ocean's side.
This is the end of running on the waves;
We are poured out like water. Who will dance
The mast-lashed master of Leviathans
Up from this field of Quakers in their unstoned graves? 

 V

When the whale's viscera go and the roll
Of its corruption overruns this world
Beyond tree-swept Nantucket and Wood's Hole
And Martha's Vineyard, Sailor, will your sword
Whistle and fall and sink into the fat?
In the great ash-pit of Jehoshaphat
The bones cry for the blood of the white whale,
The fat flukes arch and whack about its ears,
The death-lance churns into the sanctuary, tears
The gun-blue swingle, heaving like a flail,
And hacks the coiling life out: it works and drags
And rips the sperm-whale's midriff into rags,
Gobbets of blubber spill to wind and weather,
Sailor, and gulls go round the stoven timbers
Where the morning stars sing out together
And thunder shakes the white surf and dismembers
The red flag hammered in the mast-head. Hide,
Our steel, Jonas Messias, in Thy side. 

 VI

 OUR LADY OF WALSINGHAM

There once the penitents took off their shoes
And then walked barefoot the remaining mile;
And the small trees, a stream and hedgerows file
Slowly along the munching English lane,
Like cows to the old shrine, until you lose
Track of your dragging pain.
The stream flows down under the druid tree,
Shiloah's whirlpools gurgle and make glad
The castle of God. Sailor, you were glad
And whistled Sion by that stream. But see:

Our Lady, too small for her canopy,
Sits near the altar. There's no comeliness
at all or charm in that expressionless
Face with its heavy eyelids. As before,
This face, for centuries a memory,
Non est species, neque decor,
Expressionless, expresses God: it goes
Past castled Sion. She knows what God knows,
Not Calvary's Cross nor crib at Bethlehem
Now, and the world shall come to Walsingham. 

 VII

The empty winds are creaking and the oak
splatters and splatters on the cenotaph,
The boughs are trembling and a gaff
Bobs on the untimely stroke
Of the greased wash exploding on a shoal-bell
In the old mouth of the Atlantic. It's well;
Atlantic, you are fouled with the blue sailors,
sea-monsters, upward angel, downward fish:
Unmarried and corroding, spare of flesh
Mart once of supercilious, wing'd clippers,
Atlantic, where your bell-trap guts its spoil
You could cut the brackish winds with a knife
Here in Nantucket, and cast up the time
When the Lord God formed man from the sea's slime
And breathed into his face the breath of life,
And blue-lung'd combers lumbered to the kill.
The Lord survives the rainbow of His will.
Written by Gerard Manley Hopkins | Create an image from this poem

The Shepherd's Brow Fronting Forked Lightning Owns

 The shepherd's brow, fronting forked lightning, owns 
The horror and the havoc and the glory 
Of it. Angels fall, they are towers, from heaven—a story 
Of just, majestical, and giant groans. 
But man—we, scaffold of score brittle bones;
Who breathe, from groundlong babyhood to hoary 
Age gasp; whose breath is our memento mori— 
What bass is our viol for tragic tones? 
He! Hand to mouth he lives, and voids with shame; 
And, blazoned in however bold the name, 
Man Jack the man is, just; his mate a hussy. 
And I that die these deaths, that feed this flame, 
That … in smooth spoons spy life’s masque mirrored: tame
My tempests there, my fire and fever fussy.
Written by Robert Browning | Create an image from this poem

The Englishman In Italy

 (PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes— 
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail's crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider's back,
As I told you last night,— 
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could thrust
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that's known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o'er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle— 
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain's driving,
Your girls that are older,— 
For under the hedges of aloe,
And where, on its bed
Of the orchard's black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,— 
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they've brought you,— 
The rain-water slips
O'er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence— 
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion's, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,— 
And end with the prickly-pear's red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
...Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one's track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,— 
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-balls, black, glossy and luscious,— 
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the faggots, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e'en grudged
'Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-weed
That clung to the path,
And dark rosemary, ever a-dying,
That, 'spite the wind's wrath,
So loves the salt rock's face to seaward,— 
And lentisks as staunch
To the stone where they root and bear berries,— 
And... what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves— 
Over all trod my mule with the caution
Of gleaners o'er sheaves,
Still, foot after foot like a lady— 
So, round after round,
He climbed to the top of Calvano,
And God's own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you— 
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them— 
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E'en the myrtle-leaves curl, shrink and shut— 
All is silent and grave— 
'Tis a sensual and timorous beauty— 
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses— 
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds' quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life's secret,
I hear and I know!

Ah, see! The sun breaks o'er Calvano— 
He strikes the great gloom
And flutters it o'er the mount's summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews'-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot's own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow's the Feast
Of the Rosary's Virgin, by no means
Of Virgins the least— 
As you'll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but's dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest's hoarse,
Will strike us up something that's brisk
For the feast's second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a hoe on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

..."Such trifles"—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If 'tis proper, Scirocco should vanish
In black from the skies!

Written by Robert William Service | Create an image from this poem

The Ballad Of Hank The Finn

 Now Fireman Flynn met Hank the Finn where lights of Lust-land glow;
"Let's leave," says he, "the lousy sea, and give the land a show.
I'm fed up to the molar mark with wallopin' the brine;
I feel the bloody barnacles a-carkin' on me spine.
Let's hit the hard-boiled North a crack, where creeks are paved with gold."
"You count me in," says Hank the Finn. "Ay do as Ay ban told."

And so they sought the Lonely Land and drifted down its stream,
Where sunny silence round them spanned, as dopey as a dream.
But to the spell of flood and fell their gold-grimed eyes were blind;
By pine and peak they paused to seek, but nothing did they find;
No yellow glint of dust to mint, just mud and mocking sand,
And a hateful hush that seemed to crush them down on every hand.
Till Fireman Flynn grew mean as sin, and cursed his comrade cold,
But Hank the Finn would only grin, and . . . do as he was told.

Now Fireman Flynn had pieces ten of yellow Yankee gold,
Which every night he would invite his partner to behold.
"Look hard," says he; "It's all you'll see in this god-blasted land;
But you fret, I'm gonna let you hold them i your hand.
Yeah! Watch 'em gleam, then go and dream they're yours to have and hold."
Then Hank the Finn would scratch his chin and . . . do as he was told.

But every night by camp-fire light, he'd incubate his woes,
And fan the hate of mate for mate, the evil Artic knows.
In dreams the Lapland withes gloomed like gargoyles overhead,
While the devils three of Helsinkee came cowering by his bed.
"Go take," said they, "the yellow loot he's clinking in his belt,
And leave the sneaking wolverines to snout around his pelt.
Last night he called you Swedish scum, from out the glory-hole;
To-day he said you were a bum, and damned your mother's soul.
Go, plug with lead his scurvy head, and grab his greasy gold . . ."
Then Hank the Finn saw red within, and . . . did as he was told.

So in due course the famous Force of Men Who Get Their Man,
Swooped down on sleeping Hank the Finn, and popped him in the can.
And in due time his grievous crime was judged without a plea,
And he was dated up to swing upon the gallows tree.
Then Sheriff gave a party in the Law's almighty name,
He gave a neck-tie party, and he asked me to the same.
There was no hooch a-flowin' and his party wasn't gay,
For O our hearts were heavy at the dawning of the day.
There was no band a-playin' and the only dancin' there
Was Hank the Fin interpretin' his solo in the air.

We climbed the scaffold steps and stood beside the knotted rope.
We watched the hooded hangman and his eyes were dazed with dope.
The Sheriff was in evening dress; a bell began to toll,
A beastly bell that struck a knell of horror to the soul.
As if the doomed one was myself, I shuddered, waiting there.
I spoke no word, then . . . then I heard his step upon the stair;
His halting foot, moccasin clad . . . and then I saw him stand
Between a weeping warder and a priest with Cross in hand.
And at the sight a murmur rose of terror and of awe,
And all them hardened gallows fans were sick at what they saw:
For as he towered above the mob, his limbs with leather triced,
By all that's wonderful, I swear, his face was that of Christ.

Now I ain't no blaspheming cuss, so don't you start to shout.
You see, his beard had grown so long it framed his face about.
His rippling hair was long and fair, his cheeks were spirit-pale,
His face was bright with holy light that made us wince and quail.
He looked at us with eyes a-shine, and sore were we confused,
As if he were the Judge divine, and we were the accused.
Aye, as serene he stood between the hangman and the cord,
You would have sworn, with anguish torn, he was the Blessed Lord.

The priest was wet with icy sweat, the Sheriff's lips were dry,
And we were staring starkly at the man who had to die.
"Lo! I am raised above you all," his pale lips seemed to say,
"For in a moment I shall leap to God's Eternal Day.
Am I not happy! I forgive you each for what you do;
Redeemed and penitent I go, with heart of love for you."
So there he stood in mystic mood, with scorn sublime of death.
I saw him gently kiss the Cross, and then I held by breath.
That blessed smile was blotted out; they dropped the hood of black;
They fixed the noose around his neck, the rope was hanging slack.
I heard him pray, I saw him sway, then . . . then he was not there;
A rope, a ghastly yellow rope was jerking in the air;
A jigging rope that soon was still; a hush as of the tomb,
And Hank the Finn, that man of sin, had met his rightful doom.

His rightful doom! Now that's the point. I'm wondering, because
I hold a man is what he is, and never what he was.
You see, the priest had filled that guy so full of holy dope,
That at the last he came to die as pious as the Pope.
A gentle ray of sunshine made a halo round his head.
I thought to see a sinner - lo! I saw a Saint instead.
Aye, as he stood as martyrs stand, clean-cleansed of mortal dross,
I think he might have gloried had . . . WE NAILED HIM TO A CROSS.
Written by Walt Whitman | Create an image from this poem

To a foil'd European Revolutionaire

 1
COURAGE yet! my brother or my sister! 
Keep on! Liberty is to be subserv’d, whatever occurs; 
That is nothing, that is quell’d by one or two failures, or any number of failures, 
Or by the indifference or ingratitude of the people, or by any unfaithfulness, 
Or the show of the tushes of power, soldiers, cannon, penal statutes.

Revolt! and still revolt! revolt! 
What we believe in waits latent forever through all the continents, and all the islands
 and
 archipelagos of the sea; 
What we believe in invites no one, promises nothing, sits in calmness and light, is
 positive
 and composed, knows no discouragement, 
Waiting patiently, waiting its time. 

(Not songs of loyalty alone are these,
But songs of insurrection also; 
For I am the sworn poet of every dauntless rebel, the world over, 
And he going with me leaves peace and routine behind him, 
And stakes his life, to be lost at any moment.) 

2
Revolt! and the downfall of tyrants!
The battle rages with many a loud alarm, and frequent advance and retreat, 
The infidel triumphs—or supposes he triumphs, 
Then the prison, scaffold, garrote, hand-cuffs, iron necklace and anklet, lead-balls, do
 their
 work, 
The named and unnamed heroes pass to other spheres, 
The great speakers and writers are exiled—they lie sick in distant lands,
The cause is asleep—the strongest throats are still, choked with their own blood, 
The young men droop their eyelashes toward the ground when they meet; 
—But for all this, liberty has not gone out of the place, nor the infidel
 enter’d
 into full possession. 

When liberty goes out of a place, it is not the first to go, nor the second or third to
 go, 
It waits for all the rest to go—it is the last.

When there are no more memories of heroes and martyrs, 
And when all life, and all the souls of men and women are discharged from any part of the
 earth, 
Then only shall liberty, or the idea of liberty, be discharged from that part of the
 earth, 
And the infidel come into full possession. 

3
Then courage! European revolter! revoltress!
For, till all ceases, neither must you cease. 

I do not know what you are for, (I do not know what I am for myself, nor what anything is
 for,)

But I will search carefully for it even in being foil’d, 
In defeat, poverty, misconception, imprisonment—for they too are great. 

Revolt! and the bullet for tyrants!
Did we think victory great? 
So it is—But now it seems to me, when it cannot be help’d, that defeat is great,

And that death and dismay are great.
Written by Andrew Marvell | Create an image from this poem

Cromwells Return

 An Horatian Ode upon Cromwell's Return From Ireland

The forward youth that would appear 
Must now forsake his muses dear, 
Nor in the shadows sing, 
His numbers languishing. 
'Tis time to leave the books in dust, 
And oil the unus?d armour's rust: 
Removing from the wall 
The corslet of the hall. 
So restless Cromwell could not cease 
In the inglorious arts of peace, 
But through adventurous war 
Urg?d his active star. 
And, like the three-forked lightning, first 
Breaking the clouds where it was nursed, 
Did thorough his own side 
His fiery way divide. 
(For 'tis all one to courage high 
The emulous or enemy: 
And with such to inclose 
Is more than to oppose.) 
Then burning through the air he went, 
And palaces and temples rent: 
And C?sar's head at last 
Did through his laurels blast. 
'Tis madness to resist or blame 
The force of angry heaven's flame: 
And, if we would speak true, 
Much to the man is due, 
Who from his private gardens, where 
He lived reserv?d and austere, 
As if his highest plot 
To plant the bergamot, 
Could by industrious valour climb 
To ruin the great work of time, 
And cast the kingdoms old 
Into another mould. 
Though justice against fate complain, 
And plead the ancient rights in vain: 
But those do hold or break 
As men are strong or weak. 
Nature, that hateth emptiness, 
Allows of penetration less: 
And therefore must make room 
Where greater spirits come. 
What field of all the Civil Wars, 
Where his were not the deepest scars? 
And Hampton shows what part 
He had of wiser art, 
Where, twining subtle fears with hope, 
He wove a net of such a scope, 
That Charles himself might chase 
To Carisbrooke's narrow case: 
That then the royal actor born 
The tragic scaffold might adorn: 
While round the arm?d bands 
Did clap their bloody hands. 
He nothing common did or mean 
Upon that memorable scene: 
But with his keener eye 
The axe's edge did try: 
Nor called the gods with vulgar spite 
To vindicate his helpless right, 
But bowed his comely head, 
Down, as upon a bed. 
This was that memorable hour 
Which first assured the forc?d power. 
So when they did design 
The Capitol's first line, 
A bleeding head where they begun, 
Did fright the architects to run; 
And yet in that the State 
Foresaw its happy fate. 
And now the Irish are ashamed 
To see themselves in one year tamed: 
So much one man can do, 
That does both act and know. 
They can affirm his praises best, 
And have, though overcome, confessed 
How good he is, how just, 
And fit for highest trust: 
Nor yet grown stiffer with command, 
But still in the Republic's hand: 
How fit he is to sway 
That can so well obey. 
He to the Commons feet presents 
A kingdom, for his first year's rents: 
And, what he may, forbears 
His fame, to make it theirs: 
And has his sword and spoils ungirt, 
To lay them at the public's skirt. 
So when the falcon high 
Falls heavy from the sky, 
She, having killed, no more does search 
But on the next green bough to perch, 
Where, when he first does lure, 
The falc'ner has her sure. 
What may not then our isle presume 
While Victory his crest does plume? 
What may not others fear 
If thus he crowns each year? 
A C?.sar, he, ere long to Gaul, 
To Italy an Hannibal, 
And to all states not free 
Shall climact?ric be. 
The Pict no shelter now whall find 
Within his parti-coloured mind, 
But from this valour sad 
Shrink underneath the plaid: 
Happy, if in the tufted brake 
The English hunter him mistake, 
Nor lay his hounds in near 
The Caledonian deer. 
But thou, the Wars' and Fortune's son, 
March indefatigably on, 
And for the last effect 
Still keep thy sword erect: 
Besides the force it has to fright 
The spirits of the shady night, 
The same arts that did gain 
A power, must it maintain.
Written by Mihai Eminescu | Create an image from this poem

Mortua Est

Two candles, tall sentry, beside an earth mound, 
A dream with wings broken that trail to the ground,  
Loud flung from the belfry calamitous chime... 
'Tis thus that you passed o'er the bound'ries of time. 

Gone by are the hours when the heavens entire 
Flowed rivers of milk and grew flowers of fire, 
When the thunderous clouds were but castles erect 
Which the moon like a queen each in turn did inspect. 

I see you a shadow bright silver transcending, 
With wings high uplifted to heaven ascending, 
I see you slow climbing through the sky's scaffold bars 
Midst a tempest of light and a snowstorm of stars; 

While the witches the sound of their spinning prolong, 
Exalted in sunshine, swept up by a song, 
O'er your breast like a saint you white arms crossed in prayer, 
And gold on the water, and silver in the air. 

I see your soul's parting, its flight I behold; 
Then glaze at the clay that remains ... mute and cold, 
At the winding-sheet clung to the coffin's rude sill, 
At your smile sweet and candid, that seems alive still. 

And i ask times unending my soul torn with doubt, 
O why, pallid angel, your light has gone out, 
For were you not blameless and wonderfully fair ? 
Have you gone to rekindle a star in despair ? 

I fancy on high there are wings without name, 
Broad rivers of fire spanned by bridges of flame, 
Strange castles that spires till the zenith up fling, 
With stairways of incense and flowers that sing. 

And you wonder among them, a worshipful queen, 
With hair of bright starlight and eyes vespertine, 
In a tunic of turquoise bespattered with gold, 
While a wreath of green laurels does your forehead enfold. 

O, death is a chaos, an ocean of stars gleaming,  
While life is a quagmire of doubts and of dreaming, 
Oh, death is an aeon of sun-blazoned spheres, 
While life but a legend of wailing and tears. 

Trough my head beats a whirlwind, a clamorous wrangle 
Of thoughts and of dreams that despair does entangle; 
For when suns are extinguished and meteors fail 
The whole universe seems to mean nothing at all. 

Maybe that one day the arched heavens will sunder, 
And down through their break all the emptiness thunder, 
Void's night o'er the earth its vast nothing extending, 
The loot of an instant of death without ending.  

If so, then forever your flame did succumb, 
And forever your voice from today will be dumb. 
If so, then hereafter can bring no rebirth. 
If so, then this angel was nothing but earth. 

And thus, lovely soil that breath has departed, 
I stand by your coffin alone broken-hearted; 
And yet i don't weep, rather praise for its fleeing 
Your ray softly crept from this chaos of being. 

For who shell declare which is ill and which well, 
The is, or the isn't ? Can anyone tell ? 
For he who is not, even grief can't destroy, 
And oft is the grieving, and seldom the joy. 

To exist! O, what nonsense, what foolish conceit; 
Our eyes but deceive us, our ears but cheat, 
What this age discovers, the next will deny, 
For better just nothing than naught a lie. 

I see dreams in men's clothing that after dreams chase, 
But that tumble in tombs ere the end of the race, 
And i search in may soul how this horror to fly, 
To laugh like a madman ? To curse ? Or to cry ? 

O, what is the meaning ? What sense does agree ? 
The end of such beauty, had that what to be ? 
Sweet seraph of clay where still lingers life's smile, 
Just in order to die did you live for a while ? 

O, tell me the meaning. This angel or clod ? 
I find on her forehead no witness of God. 

English version by Corneliu M. Popescu
Transcribed by Ana- Maria Ene
School No. 10, Focsani, Romania
Written by Ted Hughes | Create an image from this poem

Old Age Gets Up

 Stirs its ashes and embers, its burnt sticks

An eye powdered over, half melted and solid again
Ponders
Ideas that collapse
At the first touch of attention

The light at the window, so square and so same
So full-strong as ever, the window frame
A scaffold in space, for eyes to lean on

Supporting the body, shaped to its old work
Making small movements in gray air
Numbed from the blurred accident
Of having lived, the fatal, real injury
Under the amnesia

Something tries to save itself-searches
For defenses-but words evade
Like flies with their own notions

Old age slowly gets dressed
Heavily dosed with death's night
Sits on the bed's edge

Pulls its pieces together
Loosely tucks in its shirt
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