Debbie Guzzi's Blog
 Biography Deborah R. Guzzi was born in Maine, U.S.A. Currently living in Connecticut. Raised in an interfaith family with Christian and Jewish roots. She has spent many years examining the foundations of belief in higher power. Her insights come from study and travel in the U.S., the European Union and Asia. Her credentials range from B.F.A. in Fine Arts, with a Minor in Shakespear to Master’s Degrees in both Tae Kwon Do, and Usi Reiki. First published at the age of sixteen, now 64, she has been published in the 2000 & 2001 literary journals of Western Connecticut University’s Helix. In the early 2000's, she self published two book available at empathic-touch.com. The first book is titled “The Healing Heart” and is a sampler of three distinct styles of her writing. The second book “Heaven and Hell in a Nutshell” focuses on love, when it’s Heaven, when it’s Hell, and when it’s undeniably present as a gift of God. She owns and operates Empathic Touch an alternative healing site. Empathic-touch.com http://empathic-touch.com
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Most Recent Blog Post
Editing Info.
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Blog Posted:3/11/2013 6:59:00 AM
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I remember years ago, when I first started running contests, folks were really upset with me for asking for punctuation in their poems. I even have a nickname here [a fond one now] Head Mistress. I thought you might be interested in hearing how PICKIE editors who judge your work REALLY are. 
This was put up by one of the magazines..good info! 1. Dashes: All dashes should be "em dashes," like this — with space before and after the dash. 2. Ellipses: Use space before and after, like this ... but, generally, no ellipses are needed at the beginning and end of a direct quote (unless required to avoid misrepresentation). 3. Line indents: Consistency within each piece is always preferred. 4. Paragraph indents: Entire blocks of text may be indented for a purpose (e.g., to display a letter within a piece of fiction or a long quotation within a review). Consistency of indent size is preferred for all pieces. 5. Single or double quotation marks: The American style is for double as the first order, and then single within double. The British style is the reverse. Canadian style accommodates either preference (but tends toward the American style). For TAR, either is acceptable but within a piece "consistency" is desired (not 'mixed' quotation order). 6. Italics is preferred for book titles even if the author uses quotation marks. 7. Curly rather than straight quotation marks and apostrophes are preferred in all cases. 8. Spelling choices: Consistency with American or British within a piece, but flexibility among pieces is desired. If mixed within a piece, choose the most predominant usage (e.g., Webster, Oxford, or Canadian Oxford). If there is no obvious spelling style in a piece, use Canadian Oxford as the dictionary of reference. Canadian spelling is the preference of the TAR editorial staff. 
Words don't bleed, CUT them. The circular file is the trash can. It could take a 100 rejections to get one acceptance are you ready for that? NO CRITIQUE is a bad critique, anything else is a good critique. So is anyone got any ideas, suggestions? thoughts or are we only playing?
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My Poems
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| Date Posted | Poem Title | Form | Categories |
| 5/15/2013 | Hot Mixtures | Senryu | love, |
| 5/9/2013 | Child Abuse | Verse | child, |
| 5/3/2013 | Bacchus The God Who Loved His Grapes | Haiku | nature, |
| 4/25/2013 | Typewriter | Prose Poetry | nostalgia,writing, |
| 4/23/2013 | Shield Mate | Free verse (vers libre) | courage,life,love,men, |
| 4/21/2013 | UFO's Believe It or Not | Acrostic | mythology, |
| 4/21/2013 | Ragnar Two Ax | Free verse (vers libre) | men, |
| 4/16/2013 | haiku 39 | Haiku | nature, |
| 4/13/2013 | haiku 38 | Haiku | nature, |
| 4/11/2013 | Sweet Dreams | Quintain (English) | adventure,fantasy,prayer, |
| 4/11/2013 | haiku 37 | Haiku | nature, |
| 4/11/2013 | Life Is Just a Bag of Onions | Free verse (vers libre) | life,woman, |
| 4/9/2013 | Hunger Reins | Rondeau | introspection, |
| 4/8/2013 | haiku 36 | Haiku | nature, |
| 4/7/2013 | Petals Fall | Rhyme royal | nature, |
| 4/4/2013 | Click, Click, Huh | Verse | loss, |
| 3/30/2013 | Spring Showers | Free verse (vers libre) | nature,rain,rain, |
| 3/28/2013 | Bubba's Club | Limerick | humorous, |
| 3/25/2013 | Tweedle's Dum and Dee | Rhyme | for kids, |
| 3/25/2013 | What Lurks Within - Cornered | Villanelle | dark,for her,for her,life |
| 3/25/2013 | Clap Trap | Grook | allegory, |
| 3/23/2013 | The Blowhard | Verse | write, |
| 3/22/2013 | Carrie On | Verse | caregiving, |
| 3/20/2013 | The Windmiller's Guest | Ballad | adventure,love, |
| 3/19/2013 | Kick the Can Hard-Bucket List | Free verse (vers libre) | journey,life,prayer, |
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Fav Poems
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| Poem Title | Form | Categories |
| God | Free verse (vers libre) | life,mystery, |
| Hard Times | Cowboy | cowboy-western,family,fun |
| For Things Once Counted | Rhyme | introspection,loss,uplift |
| Petal | Verse | love, |
| 3 Masks | List | people,sad,beauty,beauty, |
| Defender of the Wastes | Free verse (vers libre) | art,life,parody,world, |
| Birth | Imagism | childhood,life |
| this is why i woo words | Verse | art,inspirational,philoso |
| Forbear | Free verse (vers libre) | sad, |
| Belongings | Rhyme | loss,love,mother,peacewor |
| Gold Fever | Free verse (vers libre) | faithfaith,political, |
| Splattered | I do not know? | life |
| Echo | Quatrain | lost lovewords,love, |
| Bells (after Poe) | Lyric | passion |
| Respectfully, Emily Dickinson | Lyric | introspection |
| Give the End Back to the Beginning | Free verse (vers libre) | dedication,faithme, |
| The Bruised and Rotting Pear | Couplet | faith,hope |
| fly | Free verse (vers libre) | animals |
| ABC's for a Young Captain | ABC | life |
| Not Entirely About Living In New York | Free verse (vers libre) | lifeworld,light,light, |
| Woodcutter | I do not know? | warold,old, |
| Dreams | Free verse (vers libre) | faith,forgiveness |
| A Feed of Chips | Narrative | funny |
| Weep O Willows | Verse | death |
| Harlem Blues | Free verse (vers libre) | black-african amerchildre |
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