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A Little Something More to Blow Your Mind or to Rephrase, How New is Modern - Charles Henderson's Blog

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Never would I have thought I would start writing at 73 years of age. I have thoroughly enjoyed my voyage into the written spirituality of poetry and am thankful for the opportunity.  In my seven years here I have met many new and wonderful persons. Having them accept me as a friend has been a moving experience.
               
    

     


A Little Something More to Blow Your Mind or to Rephrase, How New is Modern

Blog Posted:11/8/2012 3:45:00 PM
Modern Haiku. The following information came unverified from the internet.
I have no reason to believe or disbelieve any of it other than it came from seemingly factual basis.

The poems came from a compilation by Faubion Bowers, a small book given to me, of which I can not vouch for the vality of it's statement. The compilation is the culmination of 30 translators with a single translator signing a single poem, with the exception of very few who had co-translators. I saw recently a book of translations of Basho's poem about the frog, the pond, and the splash. I did not count the pages but there were several (maybe as many as 10 which had three to four translations on a page. All the translations were different somewhat. So, just a little background to not get too uptight about the actual meaning of some of these poems, because you are only looking at one person's translation of a single poem.

The history of the modern haiku dates from Masaoka Shiki's reform, begun in 1892, which established haiku as a new independent poetic form. Shiki's reform did not change two traditional elements of haiku: the division of 17 syllables into three groups of 5, 7, and 5 syllables and the inclusion of a seasonal theme. I welcome any question or conversation relevant to these selections. I probably can't answer but maybe someone will step up and we can all learn something.

note:
To me these examples are as modern or more so than many modern haiku today. Please note the one with two lines, and two parts. View these as if they are correct translations, so all participants in the blog will be on the same playing field. Tell what you think, how you feel-- content, confused, whatever. Ask questions, anyone is invited to answer questions. I certainly wont be able to answer many of them. If one looks like a poor haiku, do not be afraid to voice that. We can only comment to the extent of our knowledge but collectivly we can stretch the parameters. Just remember that some of us will not know what you are talking about so go to lengths to be clear. If you do not understand what someone is saying. Be cool and just say so. Hopefully all will be upbeat, polite and in the vogue of learning, that this blog hopes to produce. If it turns out to be a bust, well we tried and that is important.

trying to sleep
go easy
when you swat flies

the tree cut
dawn breaks early
at my little window

I've turned my back
on Buddha
how cool the moon

men are disgusting
they argue over
the price of orchids

coming out to close the gate
I end up listening to frogs

Surprise!
a moonflower fell
midnight sound

unable to devour
those persimmons I adore
oh this illness of mine

all I can think of
is being sick in bed
and snowbound

again and again
I ask how high
the snow is

Please note the seemingly single perception in this one. My only explantion is the "again and again" completes it. The mind thinks:
I ask how high the snow is
I ask how high the snow is
I ask how high the snow is

no matter how hard I look I only see one part. Unless we are Juxtaposing from a staement modifier to the statement. But I do not see it.


a paper kimono
shows the guts of
haiku

how much longer
is my life
a brief night






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Date: 11/9/2012 1:24:00 PM
I enjoyed reading your blog and all of the comments.A wise person once told me if you have to ask someone else if it is a haiku, it is not a haiku, because they are felt, not written.
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Date: 11/9/2012 6:23:00 AM
My third place would be ..trying to sleep/go easy/when you swat flies. Again with the ceasura at the end of line one,it reminds me of many translated 'older' Japanese haiku I have read over the years in my studies of this particular form.It still works well as a modern ELH, and could have been written yesterday ,so eternal is its subject matter
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Date: 11/9/2012 6:17:00 AM
This two liner..coming out to close the gate....... I end up listening to frogs ....reminds me of the 'spaces' image form I introduced here a while back.Between line one and two there is an unwritten line which the reader fills in .This I would place second in my 'imaginary contest'
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Date: 11/9/2012 4:18:00 AM
If these were in a contest I judged- men are disgusting/they argue over/the price of orchids ..would the winner even though without an 'as is moment' ,it is very poetic with the delightful caesura at the end of line one.Asto content . it sums up for me the importance of 'art' ie beauty over form , never sullying it with 'money or price' and lastly works well in English therefore a good example of a ELH( as Su labels them)
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Guzzi Avatar
Debbie Guzzi
Date: 11/9/2012 11:29:00 AM
I think it could be seen very well as the discription of an AH HA! moment in time, one teacher Chas and I listened to a bit said IF working from memory [memory is passed/past BUT the moment of that memory is frozen in your mind]
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Charles Henderson
Date: 11/9/2012 11:16:00 AM
Brian, thank you for you comments, I am amazed at how timeless some of these selections of Shiki seem to be.
Date: 11/8/2012 6:50:00 PM
[Surprise!/a moonflower fell midnight sound] I find this one particulary annoying LOL a moonflower is like the shape and weight of a morning glory [wee bit bigger] but no way it would make a sound falling..and what the heck is [surprise?} or surprising about a flower falling?
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Henderson Avatar
Charles Henderson
Date: 11/8/2012 9:45:00 PM
the surprise was the next morning it was found on the ground (my opinion)
Henderson Avatar
Charles Henderson
Date: 11/8/2012 9:08:00 PM
I'm with you on this one Ruben. I think he is indicating all were asleep, hence no one to hear anything. Like the tree falling in the empty forest makes no sound.
Date: 11/8/2012 4:12:00 PM
"the tree cut"-- begins with an objective statement, then lines 2 and 3 are a mental observation that now the sunshine wakes him up earlier. To me this seems subjective, or can someone fit it into the 5 senses or a feeling?
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Henderson Avatar
Charles Henderson
Date: 11/8/2012 9:01:00 PM
Deb, I was viewing "dawn breaking" as a metaphore, but you are right the tree being gone simply let the light in earlier, and the light woke him ealier. However, the "my" is why I said "subjective". to say my enters him into the poem. He is "at the window" in the poem.
Macmillan Avatar
Cyndi Macmillan
Date: 11/8/2012 6:46:00 PM
IT'S IRONY! It is complete irony. The wording is perfect! The tree "CUT" (somebody is cutting a tree down) dawn BREAKS---- the tree being CUT BREAKS the morning. It is an observation that what was once whole has been severed. I LOVE IT.
Guzzi Avatar
Debbie Guzzi
Date: 11/8/2012 6:33:00 PM
I do not see the [dawn breaks early at my little window] as subjective at all, the tree is gone so now full dawn without the shadow caused by the tree comes through the window earlier and wakes him sooner. I do not see it as a mental observation, I see it hitting his lids, warming his skin

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Book: Shattered Sighs