Frankenstorm 2012: A Haunting of Shelleys
A Cardinal darts past, and I cannot quite discern if it chirps out of nervousness
towards the impending storm.
If so, the twittering of cell phones sound far more nerve-wracking --
portable typewriters encased in the soul-less facade of laissez faire;
of keeping track, of minding the flocks.
Yes, everyone is a poet these days, tapping away on miniature, plastic typewriters,
typing away the next narrative filled with prose pretending to be free verse.
Whether the majority is truly poetic or not, Frankenstorm surely is poetic;
named after Mary Shelley's, Frankenstein.
The poetic justice of it all amongst a tragedy of broken necks and drownings,
for the Shelleys were the epitome of Romanticism --
not of ritualistic bouquets bought from the florist who sells porn on the sly,
or of waxy chocolate made by children in clandestine factories built from the bricks
of Mao's dreams of anthills and selling short the power stemming from another poet
turned arms dealer.
No, the romance for life itself; to become poetry as poetry turns into us.
To find mystery in everyday moments; to distil this mystery, offer it to the reader,
so that the reader becomes drunken, swooning in a stupor towards worlds
that are 1,000,000 light years away.
Frankenstorm, the Haunting of Shelleys, lashes out at the dead poetry of today;
at the empty, listlessly inane, lazy poetry of today.
The brightest stars are falling into a void, turning away from the very essence
they so wish to express....only because they want to be unique, to be original,
to carve their own niche into the Jack O' Lanterns of a Hallowe'en quickly turning into cheap, dollar store decorations.
They still have hope. They still have hope, even if many further detach themselves
from their emotions with another dose of prescription pills meant to pacify;
meant to reign in the emotional beasts of imagination, until only zombies preserved in formaldehyde, remain.
I can literally feel the Haunting of Shelleys ask wot has become of us.
It used to be about work ethic and soul - one had to kick, tear, bite, simply to publish
a pamphlet that might be read by 10 people.
Nowadays, everyone is a supposed poet. A few clicks, 'submit', and people from all
over the world can read cotton-candy couplets, or a free verse rendition of another grocery list.
But we must embolster this with:
"They are only beginning; they need to express themselves;
they just don't care."
I don't want to be told about the pain, the tragedy, the beauty, the love.
I want to be shown.
I want to feel it.
I want to feel it squeeze my gray matter into a bitter-sweet drink;
I want to feel it go down.
I want to feel it warm up my heart, grip my stomach until the bottom falls out
and I am left careening down a shaft in an elevator with a broken pulley and rusted-through brakes, and just when I think the end has come, the elevator bursts through
a bottom which is actually the ceiling of a world now turned upside-down --
and by the time I right myself, have read the last line, there is still a remaining mysterious periphery of the cats that reside in the corner of my eyes;
purring, waiting until I come back to re-read that particular poem,
for it is so tantalizing, I want to come back to it over and over again
for the remainder of my years.
Storms will always come and go,
but I sensed the metaphorical message of the Frankenstorm very strongly.
Yet this doesn't mean that I will turn the message into fruition.
But I will certainly attempt to do so.
Within my delirium, I will continue to try distilling the intangible
into a drunken tangibility; even for the sake of simply trying.
And as I ponder, as I witness the present decay of humanity,
witness the state of today's poetry, I can only wonder how many more
Hauntings of Shelleys are possibly already brewing.
October 31st, 2012
My thoughts go out to those caught in the path of Frankenstorm 2012.
Such events move me very deeply.
*I have already posted this prose in a blog, because at the time,
the character-count exceeded the limit of poem posts.