Forms of Poetry - D | Types of Poetry - D
Forms of Poetry -
D. This is a comprehensive resource of poetic forms beginning with the letter
D. We include examples of different types of poetry.
See also Poetry Terms...
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The purpose is to go from the subject at the top of the diamond to another totally different (and sometimes opposite) subject at the bottom. A seven line poem, shaped like a diamond.
Line 1: Winter = 1 NOUN-A
Line 2: Rainy, cold = 2 ADJECTIVES-A
Line 3: Skiing, skating, sledding = 3 GERUNDS-A (verb + -ing)
Line 4: Mountains, wind, breeze, ocean = 2 NOUNS-A + 2 NOUNS-B
Line 5: Swimming, surfing, scuba diving = 3 GERUNDS-B (verb + -ing)
Line 6: Sunny, hot = 2 ADJECTIVES-B
Line 7: Summer = 1 NOUN-B
exciting, daring, fascinating
kings, queens, monsters, giant skittels
raging, horrifying, terrifying
by Jessica H.
A form of verse, the aim of which is to instruct the mind and improve morals. It essentially lays out a body of detailed information for the reader with the aim of molding the reader into a certain ethical or religious frame of mind.
Recipe For Heavenly Destination
To get to Heaven
And stay with Christ
Follow this recipe
And his face you will see
Love your neighbor
Spread the love as much as you can
Talk to the Lord
Show Him you care
With Him your feelings and worries share
Follow his teachings
Follow his way
Wherever he goes, follow you may
Lead the ones who don't see
Lead the ones that don't feel the love
Lead them to the Lord above
Copyright © 2000 David Arlaud
A poem containing stanzas of 5 lines, then 4
lines, then 3 lines, then 2 lines, ending with one word. The syllables in
each stanza correspond to the number of lines, i.e. 5 in each line in the
first stanza, 4 in the second stanza and so on. This form may contain more than five stanzas.
Love, At Last...
If the ground should quake,
If the sky should fall,
If the rain lets up,
If the plants all die,
There is one thing left.
If we lose sight,
If we can't speak,
If the bow breaks,
on the last tree,
we won't cry
for we know
Copyright © 2005 Tatyana Carney
Ten lines rhymed a b a b b c c d c d; usually (though not by definition) iambic pentameter. This is a Dizain chain.
This is originally a French form and initially would have been made up of eight syllablelines, but later ten syllable lines were also used. The few examples of this form in England did prefer Iambic Pentameter, but that's purely up to the poet. The rhyme scheme is: a. b. a. b. b. c. c. d. c. d.
You entered my heart with laughter and joy,
Ignited thoughts once thought loving and kind.
Stimulating, waking Love thoughts destroyed.
Your captivating charm so hard to find,
Your always the main attraction on my mind.
Each day, each night I spend admiring you,
Our hopes, ours dreams swing in intense romance.
Your a friend, a love beyond déjà vu.
Our souls touched, embracing a new spiritual dance,
You are my love that makes my love stance.
The Dodoitsu is a fixed folk song form of Japanese origin and is often about love or humor. It has 26 syllables made of of four lines of 7, 7, 7, 5 syllables respectively. It is unrhymed and non-metrical.
Gemstones the size of grapefruit
hide camoflaged in the rocks
buried like a treasure chest
waiting to be found.
Copyright Suzanne Honour 2002-2003
A verse form, also known as "higgledy piggledy," invented by Anthony Hecht and Paul Pascal. Like a limerick, it has a rigid structure and is usually humorous, but the double dactyl is considerably more rigid and difficult to write. There must be two stanzas, each comprising three lines of dactylic dimeter followed by a line with a dactyl and a single accent. The two stanzas have to rhyme on their last line. The first line of the first stanza is repetitive nonsense. The second line of the first stanza is the subject of the poem, a proper noun (usually someone's name). Note that this name must itself be double-dactylic. There is also a requirement for at least one line of the second stanza to be entirely one double dactyl word, for example "va-le-dic-tor-i-an".
A recent one by Gene Weingarten and Dan Weingarten:
Joe and Marilyn
Jolted the ball but was
Jilted in bed.
Marilyn walked, but he
Laid her in rose bouquets
When she was dead.
A type of long lyric poem, developed during the Victorian period, in which a character in fiction or in history delivers a lengthy speech explaining his or her feelings, actions, or motives.
Alfred Lord Tennyson
It little profits that an idle king,
By this still hearth, among these barren crags,
Matched with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.
I cannot rest from travel: I will drink
Life to the lees: all times I have enjoyed
Greatly, have suffered greatly, both with those
That loved me, and alone; on shore, and when
Through scudding drifts the rainy Hyades
Vest the dim sea: I am become a name;
For always roaming with a hungry heart
Much have I seen and known; cities of men
And manners, climates, councils, governments,
Myself not least, but honoured of them all;
And drunk delight of battle with my peers;
Far on the ringing plains of windy Troy.
I am part of all that I have met;
Yet all experience is an arch wherethrough
Gleams that untravelled world, whose margin fades
For ever and for ever when I move.
How dull it is to pause, to make an end,
To rust unburnished, not to shine in use!
As though to breath were life. Life piled on life
Were all to little, and of one to me
Little remains: but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.
This is my son, mine own Telemachus,
To whom I leave the scepter and the isle
Well-loved of me, discerning to fulfill
This labour, by slow prudence to make mild
A rugged people, and through soft degrees
Subdue them to the useful and the good.
Most blameless is he, centered in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.
There lies the port; the vessel puffs her sail:
There gloom the dark broad seas. My mariners,
Souls that have toiled, and wrought, and thought with me
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads you and I are old;
Old age had yet his honour and his toil;
Death closes all: but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks:
The long day wanes: the slow moon climbs: the deep
Moans round with many voices. Come, my friends,
'Tis not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down:
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Though much is taken, much abides; and though
We are not now that strength which in the old days
Moved earth and heaven; that which we are, we are,
One equal-temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
Alfred Lord Tennyson
Any drama written as verse to be spoken; another possible general term is poetic drama.