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Nothing is given which is not taken. Little or nothing is taken which is not freely desired, freely, truly and fully. "You would not seek me if you had not found me": this is true of all that is supremely desired and admired... "An enigma is an animal," said the hurried, harried schoolboy: And a horse divided against itself cannot stand; And a moron is a man who believes in having too many wives: what harm is there in that? O the endless fecundity of poetry is equaled By its endless inexhaustible freshness, as in the discovery of America and of poetry. Hence it is clear that the truth is not strait and narrow but infinite: All roads lead to Rome and to poetry and to poem, sweet poem and from, away and towards are the same typography. Hence the poet must be, in a way, stupid and naive and a little child; Unless ye be as a little child ye cannot enter the kingdom of poetry. Hence the poet must be able to become a tiger like Blake; a carousel like Rilke. Hence he must be all things to be free, for all impersonations a doormat and a monument to all situations possible or actual The cuckold, the cuckoo, the conqueror, and the coxcomb. It is to him in the zoo that the zoo cries out and the hyena: "Hello, take off your hat, king of the beasts, and be seated, Mr. Bones." And hence the poet must seek to be essentially anonymous. He must die a little death each morning. He must swallow his toad and study his vomit as Baudelaire studied la charogne of Jeanne Duval. The poet must be or become both Keats and Renoir and Keats as Renoir. Mozart as Figaro and Edgar Allan Poe as Ophelia, stoned out of her mind drowning in the river called forever river and ever... Keats as Mimi, Camille, and an aging gourmet. He must also refuse the favors of the unattainable lady (As Baudelaire refused Madame Sabatier when the fair blonde summoned him, For Jeanne Duval was enough and more than enough, although she cuckolded him With errand boys, servants, waiters; reality was Jeanne Duval. Had he permitted Madame Sabatier to teach the poet a greater whiteness, His devotion and conception of the divinity of Beauty would have suffered an absolute diminution.) The poet must be both Casanova and St. Anthony, He must be Adonis, Nero, Hippolytus, Heathcliff, and Phaedre, Genghis Kahn, Genghis Cohen, and Gordon Martini Dandy Ghandi and St. Francis, Professor Tenure, and Dizzy the dean and Disraeli of Death. He would have worn the horns of existence upon his head, He would have perceived them regarding the looking-glass, He would have needed them the way a moose needs a hatrack; Above his heavy head and in his loaded eyes, black and scorched, He would have seen the meaning of the hat-rack, above the glass Looking in the dark foyer. For the poet must become nothing but poetry, He must be nothing but a poem when he is writing Until he is absent-minded as the dead are Forgetful as the nymphs of Lethe and a lobotomy... ("the fat weed that rots on Lethe wharf").
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