Famous Long Write Poems

Famous Long Write Poems. Long Write Poetry by Famous Poets. A collection of the all-time best Write long poems

See also: Long Member Poems

 I heard an angel speak last night,
And he said 'Write!
Write a Nation's curse for me,
And send it over the Western Sea.'

I faltered, taking up the word:
'Not so, my lord!
If curses must be, choose another
To send thy curse against my brother.

'For I am bound by gratitude,
By love and blood,
To brothers of mine across the sea,
Who stretch out kindly hands to me.'

'Therefore,' the voice said, 'shalt thou write
My curse to-night.
From the summits of love a curse is driven,
As lightning is from the tops of heaven.'

'Not so,' I answered. 'Evermore
My heart is sore
For my own land's sins: for little feet
Of children bleeding along the street:

'For parked-up honors that gainsay
The right of way:
For almsgiving through a door that is
Not open enough for two friends to kiss:

'For love of freedom which abates
Beyond the Straits:
For patriot virtue starved to vice on
Self-praise, self-interest, and suspicion:

'For an oligarchic parliament,
And bribes well-meant.
What curse to another land assign,
When heavy-souled for the sins of mine?'

'Therefore,' the voice said, 'shalt thou write
My curse to-night.
Because thou hast strength to see and hate
A foul thing done within thy gate.'

'Not so,' I answered once again.
'To curse, choose men.
For I, a woman, have only known
How the heart melts and the tears run down.'

'Therefore,' the voice...
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 YES, write, if you want to, there's nothing like trying;
Who knows what a treasure your casket may hold?
I'll show you that rhyming's as easy as lying,
If you'll listen to me while the art I unfold.

Here's a book full of words; one can choose as he fancies,
As a painter his tint, as a workman his tool;
Just think! all the poems and plays and romances
Were drawn out of this, like the fish from a pool!

You can wander at will through its syllabled mazes,
And take all you want, not a copper they cost,--
What is there to hinder your picking out phrases
For an epic as clever as "Paradise Lost"?

Don't mind if the index of sense is at zero,
Use words that run smoothly, whatever they mean;
Leander and Lilian and Lillibullero
Are much the same thing in the rhyming machine.

There are words so delicious their sweetness will smother
That boarding-school flavor of which we're afraid,
There is "lush"is a good one, and "swirl" is another,--
Put both in one stanza, its fortune is made.

With musical murmurs and rhythmical closes
You can cheat us of smiles when you've nothing to tell
You hand us a nosegay of milliner's roses, 
And we cry with delight, "Oh, how sweet they do smell!"

Perhaps you will...
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 'Twas in scientific circles 
That the great Professor Brown 
Had a world-wide reputation 
As a writer of renown. 
He had striven finer feelings 
In our natures to implant 
By his Treatise on the Morals 
Of the Red-eyed Bulldog Ant. 
He had hoisted an opponent 
Who had trodden unawares 
On his "Reasons for Bare Patches 
On the Female Native Bears". 
So they gave him an appointment 
As instructor to a band 
Of the most attractive females 
To be gathered in the land. 
'Twas a "Ladies' Science Circle" -- 
Just the latest social fad 
For the Nicest People only, 
And to make their rivals mad. 
They were fond of "science rambles" 
To the country from the town -- 
A parade of female beauty 
In the leadership of Brown. 
They would pick a place for luncheon 
And catch beetles on their rugs; 
The Professor called 'em "optera" -- 
They calld 'em "nasty bugs". 
Well, the thing was bound to perish 
For no lovely woman can 
Feel the slightest interest 
In a club without a Man -- 
The Professor hardly counted 
He was crazy as a loon, 
With a countenance suggestive 
Of an elderly baboon. 
But the breath of Fate blew on it...
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I MIND me in the days departed, 
How often underneath the sun 
With childish bounds I used to run 
To a garden long deserted. 

The beds and walks were vanish'd quite; 5 
And wheresoe'er had struck the spade, 
The greenest grasses Nature laid, 
To sanctify her right. 

I call'd the place my wilderness, 
For no one enter'd there but I. 10 
The sheep look'd in, the grass to espy, 
And pass'd it ne'ertheless. 

The trees were interwoven wild, 
And spread their boughs enough about 
To keep both sheep and shepherd out, 15 
But not a happy child. 

Adventurous joy it was for me! 
I crept beneath the boughs, and found 
A circle smooth of mossy ground 
Beneath a poplar-tree. 20 

Old garden rose-trees hedged it in, 
Bedropt with roses waxen-white, 
Well satisfied with dew and light, 
And careless to be seen. 

Long years ago, it might befall, 25 
When all the garden flowers were trim, 
The grave old gardener prided him 
On these the most of all. 

Some Lady, stately overmuch, 
Here moving with a silken noise, 30 
Has blush'd beside them at the voice 
That liken'd her to such. 

Or these, to make a diadem, 
She often may have...
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 Alas! noble Prince Leopold, he is dead!
Who often has his lustre shed:
Especially by singing for the benefit of Esher School,
Which proves he was a wise prince. and no conceited fool.

Methinks I see him on the platform singing the Sands o' Dee,
The generous-hearted Leopold, the good and the free,
Who was manly in his actions, and beloved by his mother;
And in all the family she hasn't got such another.

He was of a delicate constitution all his life,
And he was his mother's favourite, and very kind to his wife,
And he had also a particular liking for his child,
And in his behaviour he was very mild.

Oh! noble-hearted Leopold, most beautiful to see,
Who was wont to fill your audience's hearts with glee,
With your charming songs, and lectures against strong drink:
Britain had nothing else to fear, as far as you could think

A wise prince you were, and well worthy of the name,
And to write in praise of thee I cannot refrain;
Because you were ever ready to defend that which is right,
Both pleasing and righteous in God's eye-sight.

And for the loss of such a prince the people will mourn,
But, alas! unto them he can never more return,
Because sorrow never could revive the dead again,
Therefore to weep...
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 I Sing the Man that never Equal knew, 
Whose Mighty Arms all Asia did subdue, 
Whose Conquests through the spacious World do ring, 
That City-Raser, King-destroying King, 
Who o're the Warlike Macedons did Reign, 
And worthily the Name of Great did gain. 
This is the Prince (if Fame you will believe,
To ancient Story any credit give.) 
Who when the Globe of Earth he had subdu'd, 
With Tears the easie Victory pursu'd; 
Because that no more Worlds there were to win, 
No further Scene to act his Glorys in. 
 Ah that some pitying Muse would now inspire
My frozen style with a Poetique fire, 
And Raptures worthy of his Matchless Fame, 
Whose Deeds I sing, whose never fading Name 

Long as the world shall fresh and deathless last, 
No less to future Ages, then the past. 
Great my presumption is, I must confess, 
But if I thrive, my Glory's ne're the less; 
Nor will it from his Conquests derogate
A Female Pen his Acts did celebrate. 
If thou O Muse wilt thy assistance give, 
Such as made Naso and great Maro live, 
With him whom Melas fertile Banks did bear, 
Live, though their Bodies dust and ashes are; 
Whose Laurels were...
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 Who's she, that one in your arms?

She's the one I carried my bones to
and built a house that was just a cot
and built a life that was over an hour
and built a castle where no one lives
and built, in the end, a song
to go with the ceremony.

Why have you brought her here?
Why do you knock on my door
with your little stores and songs?

I had joined her the way a man joins
a woman and yet there was no place
for festivities or formalities
and these things matter to a woman
and, you see, we live in a cold climate
and are not permitted to kiss on the street
so I made up a song that wasn't true.
I made up a song called Marriage.

You come to me out of wedlock
and kick your foot on my stoop
and ask me to measure such things?

Never. Never. Not my real wife.
She's my real witch, my fork, my mare,
my mother of tears, my skirtful of hell,
the stamp of my sorrows, the stamp of my bruises
and also the children she might bear
and also a private place, a body of bones
that I would honestly buy, if I could buy,
that I would marry, if I could marry.

And should I torment you for that?
Each man...
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 Well, I've waited mighty patient while they all came rolling in, 
Mister Lawson, Mister Dyson, and the others of their kin, 
With their dreadful, dismal stories of the Overlander's camp, 
How his fire is always smoky, and his boots are always damp; 
And they paint it so terrific it would fill one's soul with gloom -- 
But you know they're fond of writing about "corpses" and "the tomb". 
So, before they curse the bushland, they should let their fancy range, 
And take something for their livers, and be cheerful for a change. 
Now, for instance, Mr Lawson -- well, of course, we almost cried 
At the sorrowful description how his "little 'Arvie" died, 
And we lachrymosed in silence when "His Father's mate" was slain; 
Then he went and killed the father, and we had to weep again. 
Ben Duggan and Jack Denver, too, he caused them to expire, 
After which he cooked the gander of Jack Dunn, of Nevertire; 
And, no doubt, the bush is wretched if you judge it by the groan 
Of the sad and soulful poet with a graveyard of his own. 

And he spoke in terms prophetic of a revolution's heat, 
When the world should...
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 Frau Doktor,
Mama Brundig,
take out your contacts,
remove your wig.
I write for you.
I entertain.
But frogs come out
of the sky like rain.

Frogs arrive
With an ugly fury.
You are my judge.
You are my jury.

My guilts are what
we catalogue.
I'll take a knife
and chop up frog.

Frog has not nerves.
Frog is as old as a cockroach.
Frog is my father's genitals.
Frog is a malformed doorknob.
Frog is a soft bag of green.

The moon will not have him.
The sun wants to shut off
like a light bulb.
At the sight of him
the stone washes itself in a tub.
The crow thinks he's an apple
and drops a worm in.
At the feel of frog
the touch-me-nots explode
like electric slugs.
Slime will have him.
Slime has made him a house.

Mr. Poison
is at my bed.
He wants my sausage.
He wants my bread.

Mama Brundig,
he wants my beer.
He wants my Christ
for a souvenir.

Frog has boil disease
and a bellyful of parasites.
He says: Kiss me. Kiss me.
And the ground soils itself.

Why
should a certain
quite adorable princess
be walking in her garden
at such a time
and toss her golden ball
up like a bubble
and drop it into the well?
It was ordained.
Just as the fates deal out
the plague with a tarot card.
Just as the Supreme Being drills
holes in our skulls to let
the Boston Symphony through.

But I digress.
A loss has taken place.
The...
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 The opening scene. The yellow, coal-fed fog
Uncurling over the tainted city river,
A young girl rowing and her anxious father
Scavenging for corpses. Funeral meats. The clever
Abandoned orphan. The great athletic killer
Sulking in his tent. As though all stories began
With someone dying.

 When her mother died,
My mother refused to attend the funeral--
In fact, she sulked in her tent all through the year
Of the old lady's dying. I don't know why:
She said, because she loved her mother so much
She couldn't bear to see the way the doctors,
Or her father, or--someone--was letting her mother die.
"Follow your saint, follow with accents sweet;
Haste you, sad notes, fall at her flying feet."

She fogs things up, she scavenges the taint.
Possibly that's the reason I write these poems.

But they did speak: on the phone. Wept and argued,
So fiercely one or the other often cut off
A sentence by hanging up in rage--like lovers,
But all that year she never saw her face.

They lived on the same block, four doors apart.
"Absence my presence is; strangeness my grace;
With them that walk against me is my sun."

"Synagogue" is a word I never heard,
We called it shul, the Yiddish word for school.
Elms, terra-cotta, the ocean a few blocks east.
"Lay institution": she taught me we...
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 MASTER WILLIAM SHAKESPEARE,AND WHAT HE HATH LEFT US  by Ben Jonsonluminarium.org/sevenlit/jonson/finial.gif">  To draw no envy, SHAKSPEARE, on thy name, Am I thus ample to thy book and fame ; While I confess thy writings to be such, As neither Man nor Muse can praise too much. 'Tis true, and all men's suffrage. But these ways Were not the paths I meant unto thy praise ; For seeliest ignorance on these may light, Which, when it sounds at best, but echoes right ; Or blind affection, which doth ne'er advance The truth, but gropes, and urgeth all by chance ; Or crafty malice might pretend this praise, And think to ruin where it seemed to raise. These are, as some infamous bawd or whore Should praise a matron ; what could hurt her more ? But thou art proof against them, and, indeed, Above the ill fortune of them, or the need.  I therefore will begin: Soul of the age! The applause ! delight ! the wonder of our stage! My SHAKSPEARE rise ! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room :...
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 Holy Mother of God, Merciful Mary. Hear 
me! I am very weary. I have come
from a village miles away, all day I have been coming, and I ache 
for such
far roaming. I cannot walk as light as I used, and my 
thoughts grow confused.
I am heavier than I was. Mary Mother, you know the cause!

Beautiful Holy Lady, take my shame away from me! Let 
this fear
be only seeming, let it be that I am dreaming. For months 
I have hoped
it was so, now I am afraid I know. Lady, why should this 
be shame,
just because I haven't got his name. He loved me, yes, 
Lady, he did,
and he couldn't keep it hid. We meant to marry. Why 
did he die?

That day when they told me he had gone down in the avalanche, and 
could not
be found until the snow melted in Spring, I did nothing. I 
could not cry.
Why should he die? Why should he die and his child live? His 
little child
alive in me, for my comfort. No, Good God, for my misery! I 
cannot face
the shame, to be a mother, and not married, and the poor child to 
be reviled
for having no father. Merciful Mother, Holy Virgin,...
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 You see that porcelain ranged there in the window—
Platters and soup-plates done with pale pink rosebuds,
And tiny violets, and wreaths of ivy?
See how the pattern clings to the gleaming edges!
They're works of art—minutely seen and felt,
Each petal done devoutly. Is it failure
To spend your blood like this?

Study them . . . you will see there, in the porcelain,
If you stare hard enough, a sort of swimming
Of lights and shadows, ghosts within a crystal—
My brain unfolding! There you'll see me sitting
Day after day, close to a certain window,
Looking down, sometimes, to see the people . . .

Sometimes my wife comes there to speak to me . . .
Sometimes the grey cat waves his tail around me . . .
Goldfish swim in a bowl, glisten in sunlight,
Dilate to a gorgeous size, blow delicate bubbles,
Drowse among dark green weeds. On rainy days,
You'll see a gas-light shedding light behind me—
An eye-shade round my forehead. There I sit,
Twirling the tiny brushes in my paint-cups,
Painting the pale pink rosebuds, minute violets,
Exquisite wreaths of dark green ivy leaves.
On this leaf, goes a dream I dreamed last night
Of two soft-patterned toads—I thought them stones,
Until they hopped! And then a great black spider,—
Tarantula, perhaps, a hideous thing,—
It crossed...
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 Deare Friend. 

I heare this Towne does soe abound, 
With sawcy Censurers, that faults are found, 
With what of late wee (in Poetique Rage) 
Bestowing, threw away on the dull Age; 
But (howsoe're Envy, their Spleen may raise, 
To Robb my Brow, of the deserved Bays) 
Their thanks at least I merit since through me, 
They are Partakers of your Poetry; 
And this is all, I'll say in my defence, 
T'obtaine one Line, of your well worded Sense 

I'd be content t'have writ the Brittish Prince. 
I'm none of those who thinke themselves inspir'd, 
Nor write with the vaine hopes to be admir'd; 
But from a Rule (I have upon long tryall) 
T'avoyd with care, all sort of self denyall. 
Which way soe're desire and fancy leade 
(Contemning Fame) that Path I boldly tread; 
And if exposeing what I take for Witt, 
To my deare self, a Pleasure I beget, 
Noe matter tho' the Censring Crittique fret. 
Those whom my Muse displeases, are at strife 
With equall Spleene, against my Course of life, 
The least delight of which, I'd not forgoe, 
For all the flatt'ring Praise, Man can bestow. 
If I designd to please the way were then, 
To...
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 I CANNOT hold, for though to write were rude, 
Yet to be silent were Ingratitude, 
And Folly too; for if Posterity 
Should never hear of such a one as thee, 
And onely know this Age's brutish fame, 
They would think Vertue nothing but a Name. 
And though far abler Pens must her define, 
Yet her Adoption hath engaged mine: 
And I must own where Merit shines so clear, 
'Tis hard to write, but harder to forbear. 
Sprung from an ancient and an honour'd Stem, 
Who lent her lustre, and she paid it them; 
Who still in great and noble things appeared, 
Whom all their Country lov'd, and yet they feared. 
Match'd to another good and great as they, 
Who did their Country both oblige and sway. 
Behold herself, who had without dispute 
More then both Families could contribute. 
What early Beauty Grief and Age had broke, 
Her lovely Reliques and her Off-spring spoke. 
She was by nature and her Parents care 
A Woman long before most others are. 
But yet that antedated2 season she 
Improv'd to Vertue, not to Liberty. 
For she was still in either state of life 
Meek as a Virgin, Prudent as a Wife 
And she...
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