Rudyard Kipling | |
If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too:
If you can wait and not be tired by waiting,
Or, being lied about, don't deal in lies,
Or being hated don't give way to hating,
And yet don't look too good, nor talk too wise;
If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same:.
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build'em up with worn-out tools;
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings,
And never breathe a word about your loss:
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"
If you can talk with crowds and keep your virtue,
Or walk with Kings - nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much:
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!
John Donne | |
Mark but this flea, and mark in this,
How little that which thou deniest me is;
Me it sucked first, and now sucks thee,
And in this flea our two bloods mingled be;
Thou know'st that this cannot be said
A sin, nor shame nor loss of maidenhead,
Yet this enjoys before it woo,
And pampered swells with one blood made of two,
And this, alas, is more than we would do.
Oh stay, three lives in one flea spare,
Where we almost, yea more than married are.
This flea is you and I, and this
Our marriage bed and marriage temple is;
Though parents grudge, and you, we are met,
And cloistered in these living walls of jet.
Though use make you apt to kill me,
Let not to that, self-murder added be,
And sacrilege, three sins in killing three.
Curel and sudden, hast thou since
Purpled thy nail, in blood of innocence?
Wherein could this flea guilty be,
Except in that drop which it sucked from thee?
Yet thou triumph'st, and say'st that thou
Find'st not thy self nor me the weaker now;
'Tis true; then learn how false, fears be;
Just so much honor, when thou yield'st to me,
Will waste, as this flea's death took life from thee.
Thomas Hardy | |
If but some vengeful god would call to me
From up the sky, and laugh: "Thou suffering thing,
Know that thy sorrow is my ecstasy,
That thy love's loss is my hate's profiting!"
Then would I bear it, clench myself, and die,
Steeled by the sense of ire unmerited;
Half-eased in that a Powerfuller than I
Had willed and meted me the tears I shed.
But not so.
How arrives it joy lies slain,
And why unblooms the best hope ever sown?
—Crass Casualty obstructs the sun and rain,
And dicing Time for gladness casts a moan.
These purblind Doomsters had as readily strown
Blisses about my pilgrimage as pain.
More great poems below...
Maya Angelou | |
Give me your hand
Make room for me
to lead and follow
beyond this rage of poetry.
Let others have
the privacy of
and love of loss
Give me your hand.
Emily Dickinson | |
A light exists in spring
Not present on the year
At any other period.
When March is scarcely here
A color stands abroad
On solitary hills
That science cannot overtake,
But human nature feels.
It waits upon the lawn;
It shows the furthest tree
Upon the furthest slope we know;
It almost speaks to me.
Then, as horizons step,
Or noons report away,
Without the formula of sound,
It passes, and we stay:
A quality of loss
Affecting our content,
As trade had suddenly encroached
Upon a sacrament.
Ralph Waldo Emerson | |
BRING me wine but wine which never grew
In the belly of the grape
Or grew on vine whose tap-roots reaching through
Under the Andes to the Cape
Suffer'd no savour of the earth to 'scape.
Let its grapes the morn salute
From a nocturnal root
Which feels the acrid juice
Of Styx and Erebus;
And turns the woe of Night 10
By its own craft to a more rich delight.
We buy ashes for bread;
We buy diluted wine;
Give me of the true
Whose ample leaves and tendrils curl'd 15
Among the silver hills of heaven
Draw everlasting dew;
Wine of wine
Blood of the world
Form of forms and mould of statures 20
That I intoxicated
And by the draught assimilated
May float at pleasure through all natures;
The bird-language rightly spell
And that which roses say so well: 25
Wine that is shed
Like the torrents of the sun
Up the horizon walls
Or like the Atlantic streams which run
When the South Sea calls.
Water and bread
Food which needs no transmuting
Wine which is already man
Food which teach and reason can.
Wine which Music is ¡ª
Music and wine are one ¡ª
That I drinking this
Shall hear far Chaos talk with me;
Kings unborn shall walk with me; 40
And the poor grass shall plot and plan
What it will do when it is man.
Quicken'd so will I unlock
Every crypt of every rock.
I thank the joyful juice 45
For all I know;
Winds of remembering
Of the ancient being blow
And seeming-solid walls of use
Open and flow.
Pour Bacchus! the remembering wine;
Retrieve the loss of me and mine!
Vine for vine be antidote
And the grape requite the lote!
Haste to cure the old despair; 55
Reason in Nature's lotus drench'd¡ª
The memory of ages quench'd¡ª
Give them again to shine;
Let wine repair what this undid;
And where the infection slid 60
A dazzling memory revive;
Refresh the faded tints
Recut the ag¨¨d prints
And write my old adventures with the pen
Which on the first day drew 65
Upon the tablets blue
The dancing Pleiads and eternal men.
Phillis Wheatley | |
From dark abodes to fair etherial light
Th' enraptur'd innocent has wing'd her flight;
On the kind bosom of eternal love
She finds unknown beatitude above.
This known, ye parents, nor her loss deplore,
She feels the iron hand of pain no more;
The dispensations of unerring grace,
Should turn your sorrows into grateful praise;
Let then no tears for her henceforward flow,
No more distress'd in our dark vale below,
Her morning sun, which rose divinely bright,
Was quickly mantled with the gloom of night;
But hear in heav'n's blest bow'rs your Nancy fair,
And learn to imitate her language there.
"Thou, Lord, whom I behold with glory crown'd,
"By what sweet name, and in what tuneful sound
"Wilt thou be prais'd? Seraphic pow'rs are faint
"Infinite love and majesty to paint.
"To thee let all their graceful voices raise,
"And saints and angels join their songs of praise.
Perfect in bliss she from her heav'nly home
Looks down, and smiling beckons you to come;
Why then, fond parents, why these fruitless groans?
Restrain your tears, and cease your plaintive moans.
Freed from a world of sin, and snares, and pain,
Why would you wish your daughter back again?
Let hope your grief control,
And check the rising tumult of the soul.
Calm in the prosperous, and adverse day,
Adore the God who gives and takes away;
Eye him in all, his holy name revere,
Upright your actions, and your hearts sincere,
Till having sail'd through life's tempestuous sea,
And from its rocks, and boist'rous billows free,
Yourselves, safe landed on the blissful shore,
Shall join your happy babe to part no more.
Elizabeth Bishop | |
The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
Lose something every day.
Accept the fluster
of lost door keys the hour badly spent.
The art of losing isn't hard to master.
Then practice losing farther losing faster:
places and names and where it was your meant
None of these will bring disaster.
I lost my mother's watch.
And look! my last or
next-to-last of three loved housed went.
The art of losing isn't hard to master.
I lose two cities lovely ones.
some realms I owned two rivers a continent.
I miss them but it wasn't a disaster.
--Even losing you (the joking voice a gesture
I love) I shan't have lied.
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.
Elizabeth Bishop | |
(In Memoriam: Robert Lowell)
I can make out the rigging of a schooner
a mile off; I can count
the new cones on the spruce.
It is so still
the pale bay wears a milky skin; the sky
no clouds except for one long, carded horse1s tail.
The islands haven't shifted since last summer,
even if I like to pretend they have
--drifting, in a dreamy sort of way,
a little north, a little south, or sidewise,
and that they're free within the blue frontiers of bay.
This month, our favorite one is full of flowers:
Buttercups, Red Clover, Purple Vetch,
Hackweed still burning, Daisies pied, Eyebright,
the Fragrant Bedstraw's incandescent stars,
and more, returned, to paint the meadows with delight.
The Goldfinches are back, or others like them,
and the White-throated Sparrow's five-note song,
pleading and pleading, brings tears to the eyes.
Nature repeats herself, or almost does:
repeat, repeat, repeat; revise, revise, revise.
Years ago, you told me it was here
(in 1932?) you first "discovered girls"
and learned to sail, and learned to kiss.
You had "such fun," you said, that classic summer.
("Fun"--it always seemed to leave you at a loss.
You left North Haven, anchored in its rock,
afloat in mystic blue.
And now--you've left
You can't derange, or re-arrange,
your poems again.
(But the Sparrows can their song.
The words won't change again.
Sad friend, you cannot change.
Philip Larkin | |
Once i am sure there's nothing going on
I step inside letting the door thud shut.
Another church: matting seats and stone
and little books; sprawlings of flowers cut
For Sunday brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense musty unignorable silence
Brewed God knows how long.
Hatless I take off
My cylce-clips in awkward revrence
Move forward run my hand around the font.
From where i stand the roof looks almost new--
Cleaned or restored? someone would know: I don't.
Mounting the lectern I peruse a few
hectoring large-scale verses and pronouce
Here endeth much more loudly than I'd meant
The echoes snigger briefly.
Back at the door
I sign the book donate an Irish sixpence
Reflect the place was not worth stopping for.
Yet stop I did: in fact I often do
And always end much at a loss like this
Wondering what to look for; wondering too
When churches fall completely out of use
What we shall turn them into if we shall keep
A few cathedrals chronically on show
Their parchment plate and pyx in locked cases
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?
Or after dark will dubious women come
To make their children touvh a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort or other will go on
In games in riddles seemingly at random;
But superstition like belief must die
And what remains when disbelief has gone?
Grass weedy pavement brambles butress sky.
A shape less recognisable each week
A purpose more obscure.
I wonder who
Will be the last the very last to seek
This place for whta it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber randy for antique
Or Christmas-addict counting on a whiff
Of grown-and-bands and organ-pipes and myrrh?
Or will he be my representative
Bored uninformed knowing the ghostly silt
Dispersed yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation--marriage and birth
And death and thoughts of these--for which was built
This special shell? For though I've no idea
What this accoutred frowsty barn is worth
It pleases me to stand in silence here;
A serious house on serious earth it is
In whose blent air all our compulsions meet
Are recognisd and robed as destinies.
And that much never can be obsolete
Since someone will forever be surprising
A hunger in himself to be more serious
And gravitating with it to this ground
Which he once heard was proper to grow wise in
If only that so many dead lie round.
Philip Larkin | |
Closed like confessionals, they thread
Loud noons of cities, giving back
None of the glances they absorb.
Light glossy grey, arms on a plaque,
They come to rest at any kerb:
All streets in time are visited.
Then children strewn on steps or road,
Or women coming from the shops
Past smells of different dinners, see
A wild white face that overtops
Red stretcher-blankets momently
As it is carried in and stowed,
And sense the solving emptiness
That lies just under all we do,
And for a second get it whole,
So permanent and blank and true.
The fastened doors recede.
They whisper at their own distress;
For borne away in deadened air
May go the sudden shut of loss
Round something nearly at an end,
And what cohered in it across
The years, the unique random blend
Of families and fashions, there
At last begin to loosen.
From the exchange of love to lie
Unreachable insided a room
The trafic parts to let go by
Brings closer what is left to come,
And dulls to distance all we are.
Sir Thomas Wyatt | |
Unstable dream, according to the place,
Be steadfast once, or else at least be true.
By tasted sweetness make me not to rue
The sudden loss of thy false feignèd grace.
By good respect in such a dangerous case
Thou broughtest not her into this tossing mew
But madest my sprite live, my care to renew,
My body in tempest her succour to embrace.
The body dead, the sprite had his desire,
Painless was th'one, th'other in delight.
Why then, alas, did it not keep it right,
Returning, to leap into the fire?
And where it was at wish, it could not remain,
Such mocks of dreams they turn to deadly pain.
John Greenleaf Whittier | |
O Friends! with whom my feet have trod
The quiet aisles of prayer,
Glad witness to your zeal for God
And love of man I bear.
I trace your lines of argument;
Your logic linked and strong
I weigh as one who dreads dissent,
And fears a doubt as wrong.
But still my human hands are weak
To hold your iron creeds:
Against the words ye bid me speak
My heart within me pleads.
Who fathoms the Eternal Thought?
Who talks of scheme and plan?
The Lord is God! He needeth not
The poor device of man.
I walk with bare, hushed feet the ground
Ye tread with boldness shod;
I dare not fix with mete and bound
The love and power of God.
Ye praise His justice; even such
His pitying love I deem:
Ye seek a king; I fain would touch
The robe that hath no seam.
Ye see the curse which overbroods
A world of pain and loss;
I hear our Lord's beatitudes
And prayer upon the cross.
More than your schoolmen teach, within
Myself, alas! I know:
Too dark ye cannot paint the sin,
Too small the merit show.
I bow my forehead to the dust,
I veil mine eyes for shame,
And urge, in trembling self-distrust,
A prayer without a claim.
I see the wrong that round me lies,
I feel the guilt within;
I hear, with groan and travail-cries,
The world confess its sin.
Yet, in the maddening maze of things,
And tossed by storm and flood,
To one fixed trust my spirit clings;
I know that God is good!
Not mine to look where cherubim
And seraphs may not see,
But nothing can be good in Him
Which evil is in me.
The wrong that pains my soul below
I dare not throne above,
I know not of His hate, - I know
His goodness and His love.
I dimly guess from blessings known
Of greater out of sight,
And, with the chastened Psalmist, own
His judgments too are right.
I long for household voices gone.
For vanished smiles I long,
But God hath led my dear ones on,
And He can do no wrong.
I know not what the future hath
Of marvel or surprise,
Assured alone that life and death
His mercy underlies.
And if my heart and flesh are weak
To bear an untried pain,
The bruised reed He will not break,
But strengthen and sustain.
No offering of my own I have,
Nor works my faith to prove;
I can but give the gifts He gave,
And plead His love for love.
And so beside the Silent Sea
I wait the muffled oar;
No harm from Him can come to me
On ocean or on shore.
I know not where His islands lift
Their fronded palms in air;
I only know I cannot drift
Beyond His love and care.
O brothers! if my faith is vain,
If hopes like these betray,
Pray for me that my feet may gain
The sure and safer way.
And Thou, O Lord! by whom are seen
Thy creatures as they be,
Forgive me if too close I lean
My human heart on Thee!
A R Ammons | |
The reason to be autonomous is to stand there,
a cleared instrument, ready to act, to search
the moral realm and actual conditions for what
needs to be done and to do it: fine, the
best, if it works out, but if, like a gun, it
comes in handy to the wrong choice, why then
you see the danger in the effective: better
then an autonomy that stands and looks about,
negotiating nothing, the supreme indifferences:
is anything to be gained where as much is lost:
and if for every action there is an equal and
opposite reaction has the loss been researched
equally with the gain: you can see how the
milling actions of millions could come to a
buzzard-like glide as from a coincidental,
warm bottom of water stuck between chilled
peaks: it is not so easy to say, OK, go on
out and act: who, doing what, to what or
whom: just a minute: should the bunker be
bombed (if it stores gas): should all the
rattlers die just because they rattle: if I
hear the young gentleman vomiter roaring down
the hall in the men's room, should I go and
inquire of him, reducing him to my care: no
wonder the great sayers (who say nothing) sit
about in inaccessible states of mind: no
wonder still wisdom and catatonia appear to
exchange places occasionally: but if anything
were easy, our easy choices soon would carry
away our ignorance with the world-better
let the mixed-up mix and let the surface shine
with all the possibilities, each in itself.
Robert Seymour Bridges | |
the history of melancholia
includes all of us.
me, I writhe in dirty sheets
while staring at blue walls
I have gotten so used to melancholia
I greet it like an old
I will now do 15 minutes of grieving
for the lost redhead,
I tell the gods.
I do it and feel quite bad
then I rise
even though nothing
that's what I get for kicking
religion in the ass.
I should have kicked the redhead
in the ass
where her brains and her bread and
but, no, I've felt sad
the lost redhead was just another
smash in a lifelong
I listen to drums on the radio now
there is something wrong with me