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Best Famous A R Ammons Poems

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Written by A R Ammons | Create an image from this poem

Identity

 1) An individual spider web
identifies a species:

an order of instinct prevails
 through all accidents of circumstance,
  though possibility is
high along the peripheries of
spider
   webs:
   you can go all
  around the fringing attachments

  and find
disorder ripe,
entropy rich, high levels of random,
 numerous occasions of accident:

2) the possible settings
of a web are infinite:

 how does
the spider keep
  identity
 while creating the web
 in a particular place?

 how and to what extent
  and by what modes of chemistry
  and control?

it is
wonderful
 how things work: I will tell you
   about it
   because

it is interesting
and because whatever is
moves in weeds
 and stars and spider webs
and known
   is loved:
  in that love,
  each of us knowing it,
  I love you,

for it moves within and beyond us,
  sizzles in
to winter grasses, darts and hangs with bumblebees
by summer windowsills:

   I will show you
the underlying that takes no image to itself,
 cannot be shown or said,
but weaves in and out of moons and bladderweeds,
   is all and
 beyond destruction
 because created fully in no
particular form:

   if the web were perfectly pre-set,
   the spider could
  never find
  a perfect place to set it in: and

   if the web were
perfectly adaptable,
if freedom and possibility were without limit,
   the web would
lose its special identity:

 the row-strung garden web
keeps order at the center
where space is freest (intersecting that the freest
  "medium" should
  accept the firmest order)

and that
order
   diminishes toward the
periphery
 allowing at the points of contact
  entropy equal to entropy.


Written by A R Ammons | Create an image from this poem

Easter Morning

 I have a life that did not become,
that turned aside and stopped,
astonished:
I hold it in me like a pregnancy or
as on my lap a child
not to grow old but dwell on

it is to his grave I most
frequently return and return
to ask what is wrong, what was
wrong, to see it all by
the light of a different necessity
but the grave will not heal
and the child,
stirring, must share my grave
with me, an old man having
gotten by on what was left

when I go back to my home country in these
fresh far-away days, it’s convenient to visit
everybody, aunts and uncles, those who used to say,
look how he’s shooting up, and the
trinket aunts who always had a little
something in their pocketbooks, cinnamon bark
or a penny or nickel, and uncles who
were the rumored fathers of cousins
who whispered of them as of great, if
troubled, presences, and school

teachers, just about everybody older
(and some younger) collected in one place
waiting, particularly, but not for
me, mother and father there, too, and others
close, close as burrowing
under skin, all in the graveyard
assembled, done for, the world they
used to wield, have trouble and joy
in, gone

the child in me that could not become
was not ready for others to go,
to go on into change, blessings and
horrors, but stands there by the road
where the mishap occurred, crying out for
help, come and fix this or we
can’t get by, but the great ones who
were to return, they could not or did
not hear and went on in a flurry and
now, I say in the graveyard, here
lies the flurry, now it can’t come
back with help or helpful asides, now
we all buy the bitter
incompletions, pick up the knots of
horror, silently raving, and go on
crashing into empty ends not
completions, not rondures the fullness
has come into and spent itself from

I stand on the stump
of a child, whether myself
or my little brother who died, and
yell as far as I can, I cannot leave this place, for
for me it is the dearest and the worst,
it is life nearest to life which is
life lost: it is my place where
I must stand and fail,
calling attention with tears
to the branches not lofting
boughs into space, to the barren
air that holds the world that was my world

though the incompletions
(& completions) burn out
standing in the flash high-burn
momentary structure of ash, still it
is a picture-book, letter-perfect
Easter morning: I have been for a
walk: the wind is tranquil: the brook
works without flashing in an abundant
tranquility: the birds are lively with
voice: I saw something I had
never seen before: two great birds,
maybe eagles, blackwinged, whitenecked
and –headed, came from the south oaring
the great wings steadily; they went
directly over me, high up, and kept on
due north: but then one bird,
the one behind, veered a little to the
left and the other bird kept on seeming
not to notice for a minute: the first
began to circle as if looking for
something, coasting, resting its wings
on the down side of some of the circles:
the other bird came back and they both
circled, looking perhaps for a draft;
they turned a few more times, possibly
rising—at least, clearly resting—
then flew on falling into distance till
they broke across the local bush and
trees: it was a sight of bountiful
majesty and integrity: the having
patterns and routes, breaking
from them to explore other patterns or
better ways to routes, and then the
return: a dance sacred as the sap in
the trees, permanent in its descriptions
as the ripples round the brook’s
ripplestone: fresh as this particular
flood of burn breaking across us now
from the sun.
Written by A R Ammons | Create an image from this poem

Their Sex Life

 One failure on
Top of another
Written by A R Ammons | Create an image from this poem

Still

 I said I will find what is lowly
and put the roots of my identity
down there:
each day I'll wake up
and find the lowly nearby,
a handy focus and reminder,
a ready measure of my significance,
the voice by which I would be heard,
the wills, the kinds of selfishness
I could
freely adopt as my own:

but though I have looked everywhere,
I can find nothing
to give myself to:
everything is

magnificent with existence, is in 
surfeit of glory:
nothing is diminished,
nothing has been diminished for me:

I said what is more lowly than the grass:
ah, underneath,
a ground-crust of dry-burnt moss:
I looked at it closely
and said this can be my habitat: but
nestling in I
found
below the brown exterior
green mechanisms beyond the intellect
awaiting resurrection in rain: so I got up

and ran saying there is nothing lowly in the universe:
I found a beggar:
he had stumps for legs: nobody was paying
him any attention: everybody went on by:
I nestled in and found his life:
there, love shook his body like a devastation:
I said
though I have looked everywhere
I can find nothing lowly
in the universe:

I whirled though transfigurations up and down,
transfigurations of size and shape and place:

at one sudden point came still,
stood in wonder:
moss, beggar, weed, tick, pine, self, magnificent
with being!
Written by A R Ammons | Create an image from this poem

**** List; Or Omnium-gatherum Of Diversity Into Unity

 You'll rejoice at how many kinds of **** there are:
gosling **** (which J.
Williams said something was as green as), fish **** (the generality), trout ****, rainbow trout **** (for the nice), mullet ****, sand dab ****, casual sloth ****, elephant **** (awesome as process or payload), wildebeest ****, horse **** (a favorite), caterpillar **** (so many dark kinds, neatly pelleted as mint seed), baby rhinoceros ****, splashy jaybird ****, mockingbird **** (dive-bombed with the aim of song), robin **** that oozes white down lawnchairs or down roots under roosts, chicken **** and chicken mite ****, pelican ****, gannet **** (wholesome guano), fly **** (periodic), cockatoo ****, dog **** (past catalog or assimilation), cricket ****, elk (high plains) ****, and tiny scribbled little shrew ****, whale **** (what a sight, deep assumption), mandril **** (blazing blast off), weasel **** (wiles' waste), gazelle ****, magpie **** (total protein), tiger **** (too acid to contemplate), moral eel and manta ray ****, eerie shark ****, earthworm **** (a soilure), crab ****, wolf **** upon the germicidal ice, snake ****, giraffe **** that accelerates, secretary bird ****, turtle **** suspension invites, remora **** slightly in advance of the shark ****, hornet **** (difficult to assess), camel **** that slaps the ghastly dry siliceous, frog ****, beetle ****, bat **** (the marmoreal), contemptible cat ****, penguin ****, hermit crab ****, prairie hen ****, cougar ****, eagle **** (high totem stuff), buffalo **** (hardly less lofty), otter ****, beaver **** (from the animal of alluvial dreams)—a vast ordure is a broken down cloaca—macaw ****, alligator **** (that floats the Nile along), louse ****, macaque, koala, and coati ****, antelope ****, chuck-will's-widow ****, alpaca **** (very high stuff), gooney bird ****, chigger ****, bull **** (the classic), caribou ****, rasbora, python, and razorbill ****, scorpion ****, man ****, laswing fly larva ****, chipmunk ****, other-worldly wallaby ****, gopher **** (or broke), platypus ****, aardvark ****, spider ****, kangaroo and peccary ****, guanaco ****, dolphin ****, aphid ****, baboon **** (that leopards induce), albatross ****, red-headed woodpecker (nine inches long) ****, tern ****, hedgehog ****, panda ****, seahorse ****, and the **** of the wasteful gallinule.


Written by A R Ammons | Create an image from this poem

The City Limits

 When you consider the radiance, that it does not withhold
itself but pours its abundance without selection into every
nook and cranny not overhung or hidden; when you consider

that birds' bones make no awful noise against the light but
lie low in the light as in a high testimony; when you consider
the radiance, that it will look into the guiltiest

swervings of the weaving heart and bear itself upon them,
not flinching into disguise or darkening; when you consider
the abundance of such resource as illuminates the glow-blue

bodies and gold-skeined wings of flies swarming the dumped
guts of a natural slaughter or the coil of **** and in no
way winces from its storms of generosity; when you consider

that air or vacuum, snow or shale, squid or wolf, rose or lichen,
each is accepted into as much light as it will take, then
the heart moves roomier, the man stands and looks about, the

leaf does not increase itself above the grass, and the dark
work of the deepest cells is of a tune with May bushes
and fear lit by the breadth of such calmly turns to praise.
Written by A R Ammons | Create an image from this poem

Rogue Elephant

 The reason to be autonomous is to stand there,
a cleared instrument, ready to act, to search

the moral realm and actual conditions for what
needs to be done and to do it: fine, the

best, if it works out, but if, like a gun, it
comes in handy to the wrong choice, why then

you see the danger in the effective: better
then an autonomy that stands and looks about,

negotiating nothing, the supreme indifferences:
is anything to be gained where as much is lost:

and if for every action there is an equal and
opposite reaction has the loss been researched

equally with the gain: you can see how the
milling actions of millions could come to a

buzzard-like glide as from a coincidental,
warm bottom of water stuck between chilled

peaks: it is not so easy to say, OK, go on
out and act: who, doing what, to what or

whom: just a minute: should the bunker be
bombed (if it stores gas): should all the

rattlers die just because they rattle: if I
hear the young gentleman vomiter roaring down

the hall in the men's room, should I go and
inquire of him, reducing him to my care: no

wonder the great sayers (who say nothing) sit
about in inaccessible states of mind: no

wonder still wisdom and catatonia appear to
exchange places occasionally: but if anything

were easy, our easy choices soon would carry
away our ignorance with the world-better

let the mixed-up mix and let the surface shine
with all the possibilities, each in itself.
Written by A R Ammons | Create an image from this poem

Gravelly Run

 I don't know somehow it seems sufficient
to see and hear whatever coming and going is,
losing the self to the victory
 of stones and trees,
of bending sandpit lakes, crescent
round groves of dwarf pine:

for it is not so much to know the self
as to know it as it is known
 by galaxy and cedar cone,
as if birth had never found it
and death could never end it:

the swamp's slow water comes
down Gravelly Run fanning the long
 stone-held algal
hair and narrowing roils between
the shoulders of the highway bridge:

holly grows on the banks in the woods there,
and the cedars' gothic-clustered
 spires could make
green religion in winter bones:

so I look and reflect, but the air's glass
jail seals each thing in its entity:

no use to make any philosophies here:
 I see no
god in the holly, hear no song from
the snowbroken weeds: Hegel is not the winter
yellow in the pines: the sunlight has never
heard of trees: surrendered self among
 unwelcoming forms: stranger,
hoist your burdens, get on down the road.
Written by A R Ammons | Create an image from this poem

Called Into Play

 Fall fell: so that's it for the leaf poetry:
some flurries have whitened the edges of roads

and lawns: time for that, the snow stuff: &
turkeys and old St.
Nick: where am I going to find something to write about I haven't already written away: I will have to stop short, look down, look up, look close, think, think, think: but in what range should I think: should I figure colors and outlines, given forms, say mailboxes, or should I try to plumb what is behind what and what behind that, deep down where the surface has lost its semblance: or should I think personally, such as, this week seems to have been crafted in hell: what: is something going on: something besides this diddledeediddle everyday matter-of-fact: I could draw up an ancient memory which would wipe this whole presence away: or I could fill out my dreams with high syntheses turned into concrete visionary forms: Lucre could lust for Luster: bad angels could roar out of perdition and kill the AIDS vaccine not quite perfected yet: the gods could get down on each other; the big gods could fly in from nebulae unknown: but I'm only me: I have 4 interests--money, poetry, sex, death: I guess I can jostle those.
.
.
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Written by A R Ammons | Create an image from this poem

Weathering

 A day without rain is like
a day without sunshine

Book: Reflection on the Important Things